Showing posts with label Seiyuu. Show all posts
Showing posts with label Seiyuu. Show all posts

Wednesday, October 29, 2025

What I'm Watching This Fall 2025 Anime Season



It’s a bit of everything this fall season: something old, something new, something really old... and something really crazy.

The something old isn’t that old, really, but it’s been around now for eight seasons. Now in its final season, My Hero Academia is ending in a shonen supernova of fighting.


I’ve written before that - while I appreciate that shonen stories can only end in one way, i.e., the fight against the last boss - I do wish that they didn’t all have the same feel to them. As in: the team defeats the last boss only to find that he’s not the last boss; the big villain looks like he’s been killed (but he somehow springs back to life); the final boss that keeps morphing into even bigger and more spectacular forms until he seems totally impossible to defeat in any human terms, etc.

When you bet your climax on the biggest battle ever, it tends to run along the same lines as all the other shonen climax battles. While My Hero Academia is a quality show and there have been standout episodes here toward the end (the “Final Boss” episode, featuring Bakugo’s rescue of All Might, was absolutely killer), I find myself waiting for the big battle to be over so I can see how all the characters end up.


The something really old is, of course, Gintama. I didn’t even know they were doing a spinoff series, so the appearance of this one in the fall season lists surprised me.

Gintama ended years ago. It had a few concluding movies, and then it seemed like it would pass into anime history without any more iterations. As might be expected, this season’s Mr. Ginpachi’s Zany Class is a side story, or rather, a vignette-type series where the characters are school kids with Ginpachi himself as their teacher.

Naturally, I’ll watch anything Gintama, so I’m watching this one. It’s great hearing all the seiyuu in their roles again, and I love that they brought back Prince Hata, this time as the school principal.


Prince Hata is played by seiyuu Kouichi Sakaguchi, who gives the character just the most hysterically funny voice. He’s the perfect character to bring back in the principal’s role, as he delights in thwarting Ginpachi in various ways, while always failing (since he’s... not too smart).


There’s always at least one series each season that falls into the “when I have time to watch it” category, and this fall, it’s A Mangaka’s Weirdly Wonderful Workplace, my “something new” anime series.

I’m partial to stories about the manga publishing industry. My favorite remains Sekai-Ichi Hatsukoi for its BL couples and intense love dynamics between Takano and Onodera, but I’ll watch literally any series if it’s set in the industry.

Here’s the description from MyAnimeList.net:
New shoujo manga artist Nana Futami works hard every day while being supported by Kaede Satou, her female editor who is older than her, and Mizuki Hazama, her assistant. According to the girl herself, she sometimes drums up intense daydream delusions of occupational illness! A working girls comedy set in the entertainment industry, brought to you by an author who always draws various girls.



And finally... I’m not even sure what category this last one fits into. Maybe it’s a new category of anime on its own? The only certainty is that it’s completely crazy.

From MyAnimeList.net:
In the middle of a ball, Scarlet's fiancé, Kyle, suddenly calls off their engagement. She's falsely accused of being a bully and people unfairly call her a "Villainess." The aristocrats and noble families all denounce her. For years, she had to put up with his abuse and idiocy, but she can't take any more of it! At her wit's end, she asks for one last favor; to give him a good fist in the face. So begins Scarlet's story of revenge against Kyle and his cronies! A fantasy about an elegant yet rebellious fighter, who doesn't let anyone take advantage of her!!

And... that’s it. That’s the whole plot of May I Ask for One Final Thing? Scarlet is wronged by various people, and then she goes and punches them out with her magic-enhanced fist.

According to Anime News Network, May I Ask for One Final Thing? is actually isekai. I haven’t gotten that far in the series yet, but that’s kind of interesting. Until that fact is revealed, I’m fine with Scarlet meting out her particular brand of justice to the deserving, for any reasons she chooses. ;-)

Monday, January 6, 2025

The Winter 2025 Anime Season



It’s a good start to 2025 with a solid winter anime season! Not only are some excellent series continuing on from fall 2024, but there are some choice new titles arriving soon.

But first... a wrap-up of the fall season.

Bleach: The Thousand Year Blood War arc concluded with a bang-up episode. This was the third cour of four and it featured some of the best fight scenes in the series, including one with creepy Mayuri and an electrifying (pun intended) Yoruichi scene right at the end. And in case anyone actually thought a certain character had betrayed Ichigo and crew (... as if!), the final episode put that idea to rest.




The fourth and final cour of the Thousand Year Blood War arc, “The Calamity,” doesn’t have an air date set as of yet.

Blue Exorcist finished its Beyond the Snow Saga arc and last Saturday launched right into the new Blue Night Saga arc. Finally, the story is delving into Rin and Yukio’s parentage, a subject that has been a mystery up to now.

I’ll admit that I don’t normally find Blue Exorcist deep or hugely absorbing, but this arc will likely be an exception to that. The brothers’ relationship is the story’s most compelling element and what happened in their family’s past will explain a lot about their dynamics.

Alas, The Prince of Tennis II: U-17 World Cup Semi-Finals ended and the next season doesn’t appear to be on the horizon. PoT is an old favorite and I hope the next season won’t be too far off in the future.

I am slow-watching the Shinsengumi anime Blue Miburo, and I just finished Yakuza Fiance, which I wound up liking more than I expected. The characters are all violent and weren’t easy to relate to at first, but the main couple is engaging and there’s even a bit of love triangle energy between the girl, Yoshino, her yakuza clan’s big-brother type Shoma, and Kirishima, the semi-psychotic teenager from a different clan whom Yoshino is engaged to. There’s clearly more to the story than what was covered in 12 episodes, so there should be a second season coming along at some point.

And Dragon Ball Daima is continuing into the winter season! It’s wonderful to have a fresh Dragon Ball episode each week.

Which brings us to the new anime season.

Anime stories with tons of cute girls isn’t usually my thing, but I’m making an exception for Momentary Lily.

The reason is the animation studio. GoHands made K (aka K Project), one of my all-time favorite series, and on that basis alone I’m happy to at least give it a try. K featured a beautiful use of color in its production art, as well as some of the best male character designs I’ve ever seen in anime.



But the winter anime I’m looking forward to the most is...


Unnamed Memory was my favorite series of spring 2024. A romance story between a crown prince and a powerful witch set in a fantasy world, it featured solid romance, gorgeous character designs, interesting side characters, basically everything I enjoy in a story.

The anime’s first season reached its climax in episode 11, which should have been the happy ending, and it would have been if not for the episode that came after. I don’t want to spoil anything, but as a reminder magic is an element in the story and let’s just say that certain complications arose in episode 12 that necessitated at least a second season to put everything back the way it needs to be.




And finally, there’s a movie being released at the end of this month that I hope Crunchyroll or somebody has the good sense to license.

The original Rose of Versailles series has been on my to-watch list for about twenty years, or as long as I’ve been an anime fan. It’s a classic and I put it on my list because everyone said it was good, but I never knew until recently what made it different from any other shoujo/romance story.

The story description from Udon Entertainment for the manga:

“Oscar François de Jarjeyes is a young noblewoman raised as a son by her father. As commander of Marie Antoinette's palace guard, Oscar is brought face-to-face with the luxury of King Louis XVI’s court at Versailles. Joined by her servant André, Oscar is privy to the intrigue and deceit of France's last great royal regime.”

Yeah. Oscar is a woman masquerading as a man. It’s not just the gender-switch aspect that attracts me but also the seiyuu casting.

Oscar is being played by Miyuki Sawashiro, the sexiest female voice in Japan (as voted by the fans), and Marie Antoinette is played by Aya Hirano, one of my favorite seiyuu. She was Haruhi Suzumiya in The Melancholy of Haruhi Suzumiya, Kaoru in Zettai Karen Children and its fantastic spinoff series The Unlimited, and Misa Amane in Death Note, among many other roles.

I’ve always admired Hirano’s talent and drive. She studied voice acting in New York and had her own rock band for a time. In recent years she has decentered voice acting, but hopefully Rose of Versailles will put her seiyuu career back on the map.

There are other new and newish anime series that are maybes to add to my currently watching list, but we’ll see how much time I have for them. I’ve got plenty to watch as it is. ;-)

Wednesday, September 25, 2024

The Fall 2024 Anime Season and What I Will Be Watching



The Fall 2024 anime season starts next week - and it looks like it’s going to be a very good one. :-)

First, I basically skipped the summer anime season. I was busy writing and publishing a new book, Daredevil Prince, and getting ready for GayRomLit, which took place the week after Labor Day Weekend.

I may have to go back and see what I missed. But here comes fall season, and there’s going to be a lot to watch starting in just a few days - so here is my watchlist.


Part 3 of Bleach’s Thousand Year Blood War arc returns on Oct. 5. It’s been a year since Part 2 ended and I think we’re all ready for this one.

I haven’t read the manga so everything that happens is a surprise to me. I mean, I’ve heard a few things about how the characters end up (... and who with) but that’s it. I’m especially looking forward to this part because there’ll be more of Ishida in it. Uryu Ishida is one of my favorite Bleach characters and I always thought he was underutilized in the story, so more Ishida is a good thing.


Dragon Ball Daima is a new canon story set soon after the end of Dragon Ball Z. Something has happened to Goku and friends and now they’ve all turned into children!

Just... just look at this image of little kid Goku and LITTLE KID VEGETA.


There’s not a lot of story description available yet but those who are going to watch the series (which includes me) don’t really care, because... LITTLE VEGETA!!


Blue Exorcist returns on Oct. 5. I always enjoy watching the brothers Rin and Yukio, along with their friends from the exorcist academy, fight demons and that shadowy organization of villains. This fall, the series will cover the “Beyond the Snow Saga” arc, and in January 2025 we’ll be getting “The Blue Night Saga” arc that will finally reveal the secrets of Rin and Yukio’s birth (they’ve never revealed this up to now). So it’ll be six months of nonstop Blue Exorcist and I’m on board for it.


Believe it or not... The Prince of Tennis is coming back!

I’ll freely admit that I’ve lost the string as far as where the series is now. Years ago - and years after the original manga/anime ended - a new series, The Prince of Tennis II, began. If I remember correctly it’s about a competition that takes place the summer after the original series ends (in other words - they’re still not even in high school yet), but I don’t remember anything else about it really, even though I watched it.

Still - it’s Prince of Tennis - and even if I can’t remember much about this continuation story I still love these characters, so I will be there on Oct. 2 when Prince of Tennis II U-17 World Cup Semifinal begins airing on Crunchyroll. :-)


And finally... the description of this one initially put me off. Even though I write romance and “dark romance” is big now (dark romance usually meaning Mafia characters or biker characters with intense, violent, or otherwise dark elements to the plot), personally I don’t care for it.

... Until I heard who plays the main character in this anime.



IT’S HIM THE MAN WITH THE GOLDEN VOICE

It’s Kaworu from Evangelion


Athrun Zala from Mobile Suit Gundum Seed


Cho Hakkai from Gensomaden Saiyuki (this is the role that made me fall in love with him)


Gaara from Naruto


... and Katsura from Gintama


It’s Akira Ishida, one of the OG seiyuu of the grand era of long-running shounen series and owner of one of the best voices in all of anime.


Even after all these years, it only took about three seconds to recognize THAT VOICE. And so despite my qualms about the story (and that old old character design - seriously, look at the art!!), I will be there on Oct. 7 to give Yakuza Fiance a chance. It’s Akira Ishida, I can’t help myself.

Wednesday, June 29, 2022

The Story of This Blog



As this blog approaches its 500th post, in its fourteenth year, I thought I’d look back on how it got started and talk a little about why I’m still doing it.

By the time I started this blog in 2009, I’d been an anime fan for about four years and had been working as an editor in the industry for nearly three years. I needed an outlet for my passion for anime and blogging felt like the way to go.

The name Neo-Shonen Fujoshi had a specific origin. Well, the fujoshi part was my idea - not a stretch since that was obviously what I was and am - but the “neo-shonen” part might require some explication.

I say more about this in my 2009 post Neo-Shonen Fujoshi Speaks! – but that year I went to Otakon and attended a fascinating panel by Daryl Surat, a longtime anime journalist and podcaster. (His blog, now a podcast, is still going: Anime World Order.)

The panel was called “Kenshiro to Kenshin: The Neo-Shonen Revolution.” Surat talked about how shonen anime used to be ultraviolence fests featuring grotesquely muscle-bound heroes like Go Nagai’s Violence Jack:


But then the tide turned, and less beefy, prettier-faced shonen heroes like Rurouni Kenshin became popular.


If the point was to broaden the audience for shonen to include women and girls - well, it worked. And so that’s how this blog came to be named. I’m a fujoshi who’s into the “neo-shonen” heroes - not those other guys. ;-)

The early years of this blog were a mish-mash of serious posts about being an editor in the industry, anime and manga reviews, musings on anime and manga as art forms, gushy posts about Japanese seiyuu, my fiction writing, etc. I grouped posts under tags such as Daily Dose of Kawaii and Incongruous Things.


Incongruous Things was an especially fun group of posts. It included the “A Very Handsome... Voice Actor” category that presented photos of attractive seiyuu. Other posts were of the “One of These Things Is Not Like the Other” variety and other such silliness.

(By the way, in putting this post together, I noticed that dead You Tube links abound in these ancient posts, lol... just so you know before you take a look at them.)

I lost any sense of being age-appropriate as far as my own age was concerned. For me, it was like being transported from middle age back to my teen years. I was giddy with delight over this utterly amazing and new (to me) entertainment medium I’d discovered and it showed in my posts.


But then, even this Blogger template that I still use is a throwback. If you were reading blogs fifteen years ago, you undoubtedly saw this template often (I think the template name is “Simple” or something like that). Every other blog in the late 2000s/early 2010s used this template since Google’s Blogger (then called Blogspot) was one of the earliest free blogging platforms. I would probably switch this template out for something newer, but I fear my blog infrastructure would implode if I tried to change anything about it at this point.

My original thought was to make this a serious industry person blog, but that went out the window early on... I was just having too much fun. ;-)

Then something happened. I became more serious about my fiction writing, particularly The Queendoms Series, a seven-novel series that I started writing in 2014. At the same time (perhaps related?) I began to feel a little burned out on anime. I’d been an intense fan for ten years, worked in the industry, gone to dozens of anime conventions across the U.S., and suddenly... the steam went out of everything.

From 2015 to 2017 I only managed to upload a handful of posts. I still watched anime and read manga, but I was consumed with getting The Queendoms Series books off the ground.

I was still working on the Queendoms books in 2018 when I began to miss posting here. Since then I’ve posted at least once a month, a schedule I know that I can maintain considering my various commitments.

I think I’ll conclude the story of this blog in a Q & A format.

Q: Does anyone actually read this blog? There aren’t any comments.

A: This blog still has a few readers, going by the feedburner count and blog traffic stats. I don’t count the random days when there are 500 “views” for no reason, as the round (and high) number tells me that it's a Russian bot doing its job.

When I began writing this blog in June 2009, I deliberately left Google’s indexing option unchecked. What this means is that my blog posts have never been indexed so that they can show up in Google searches.

I did this for a few reasons. Blogging was somewhat new then, and as I’ve said before I didn’t grow up with the internet, so I was wary of being too public with anything that I wrote. Also, I originally intended this to be an industry blog, so I didn’t really want anyone in the world to be able to stumble across it in a simple search.

Fourteen years on, I still feel the same way, though I obviously would’ve had many more readers through the years if I’d had my posts indexed for search. I do have my blog listed in my writer's/editor’s bio at some publisher websites and a few other places, which is generally how new readers find me. It’s kind of nice. You only get here if you were already familiar with my work in some way and followed a link here.

As for comments, there are hundreds. I lost most of my readers during that 2015-2017 period when the blog was on life support with only a post or two being uploaded per year. Since then, I’ve contemplated turning the comment function off entirely. If I do that, all previous comments will disappear, as Blogger - for some reason - hides all extant comments upon the disabling of the comment function. So if you have a burning desire to read comments from the early years of this blog, you might want to do it soon. ;-)

Q: If you don’t have many readers these days, why continue?

A: Because I enjoy it.

Q: Any regrets?

A: Yes, about the spelling of the blog’s name.

I named this blog before I studied Japanese with any seriousness. If I’d known about the long “o,” I would have used shounen instead of shonen.

Other than that - no regrets. =D

Friday, April 30, 2021

Anime Songs - Once More with Feeling



I’ve been searching through You Tube recently, looking for my favorite anime songs. I don’t know if this is a nostalgia trip or – as I suspect – an opening up to embrace music again, which was a big part of my life a long time ago.

I’m currently writing my seventh book in The Queendoms Series. It’s the final book in the series and I’m preparing to compose two pieces of music for it.

So I have an inner drive now to listen to music that provoked feelings in me, and I’m not surprised that a lot of it comes from anime. In the same way that anime has been my main entertainment source since 2005, my favorite music has also come from anime.

The following You Tube links are, as always, subject to being taken down by "Uncle Google" at any time, so I’ve included the song title and band/composer so you can look them up elsewhere if you want.

I’ve written before about Mirage of Blaze, one of the series that brought me into anime. Mirage of Blaze was a great anime for me to discover right at the beginning. It hit a lot of my buttons: adult story, m/m romance, paranormal, Japanese history. Some sixteen years later, I still love it.

Takaya Ougi is a troubled teen with an attitude. Little does he know that he’s the reincarnation of Kagetora Uesugi of the Uesugi clan from Japan’s Warring States era four hundred years ago. He’s also a “soul possessor,” meaning his Kagetora soul ousts the owner of a baby’s body at birth, taking it over so that he can live again. The purpose of being a soul possessor is to fight the Feudal Underworld, an army of samurai spirits who seek to overthrow modern-day Japan.

Another soul possessor, Nobutsuna Naoe, also lived during the Warring States era, belonging to a different clan. He’s now reincarnated into the body of a handsome middle-aged man. Oh, and – he’s been in love with Kagetora for four hundred years.

The music is by Koichiro Kameyama. This is the main theme, a slow elegiac melody that captures the loneliness and isolation of being a soul possessor, and the angst of Naoe’s unrequited feelings for Kagetora.

Song: Harukanaru Zanshou – Sengoku Zan’ei
Composer: Koichiro Kameyama



Yuki Kajiura is a well-known composer for anime series such as Fate/Zero, Madoka Magica, Sword Art Online, and others. I saw her in concert at Anime Expo years ago. She speaks surprisingly great English (she explained at the concert that she practiced a lot with a friend). I love all of her anime music, but my favorites are “Will” and “Confidence” from Pandora Hearts.

Song: Confidence
Composer: Yuki Kajiura



I feel like I’m always referencing Full Metal Alchemist when it comes to “best of” or “my favorite” posts, but this ending theme from the original FMA series has such a lovely melody that it’s become one of my favorite pieces of music, period.

Song: Tobira no Mukou e
Band: Yellow Generation



In my last post, I talked about the phenomenon of “character songs” and how even the supporting characters in an anime often get their own songs.

Here’s an example from an older title. Angelique began as a video game in 1995, which then was produced as an anime starting in 2006. It’s an early reverse harem story in which a teenage girl is transported to a magic land where she competes to become the new Queen, while being assisted by nine handsome guardians.

So here is a beautiful character song from Angelique sung by seiyuu Nobuo Tobita, one of my favorite Japanese voice actors. He played the character of guardian Lumiale.

Song: Gekkou Yoku
Vocal Artist: Nobuo Tobita



Not to belabor the point, but again – this is a character song for a supporting character in an ancient anime series, and it’s a beautiful song. How many songs like this are buried deep in the enormous catalog of anime-related music that I’ll never hear? Somebody threw this up on You Tube twelve years ago – that’s the only reason I ever found it.

The next song is from an anime series with around 900 episodes about a bunch of pirates (lol). I don’t watch One Piece mainly because the character designs squick my eye (I’ve said before that I’m picky about character designs), and also because it feels like it’s too late to start in on it. It’s a little daunting to consider catching up on 900 episodes.

If I’m in a certain mood, tears will come up listening to this.

Song: Memories
Vocal Artist: Maki Otsuki



And here’s another, newer example of an anime song featuring supporting characters in an anime series.

I know I seem obsessed with K, also known as K Project. It’s just a great series, one of my go-to series to rewatch. The K anime canon consists of the first season, a movie called K: Missing Kings, a second season, and a post-series series called K: Seven Stories.

K: Seven Stories is a collection of six one-hour anime episodes based on side stories from the manga and light novels. In addition, there’s a separate disc of short episodes set in an alternative universe where the K characters are singing idols, which comprises the seventh story in K: Seven Stories.

Each of the six episodes focuses on some of the most memorable characters from K, including the Red King and Blue King and their first meeting, and the pre-teen Sukuna Gojo and how he joins the Green clan.


The two most popular characters in the K universe are actually supporting characters: Misaki Yata from the Red clan and Saruhiko Fushimi who was formerly with the Red clan, but then later defects to the Blue clan. At the beginning of K’s first season, the two have a love-hate relationship based on Misaki resenting Saruhiko for leaving the Reds for the Blues.

The fourth episode of K: Seven Stories is about Misaki and Saruhiko. It’s a flashback to their early days when they were young teenagers before they joined the Red clan. They had a very deep friendship back then, with the cheerful Misaki bringing light into the life of Saruhiko who came from a rich family, but whose father was creepy and psychologically abusive.

The music for K is - like K itself - a little different. A single band did the opening and closing themes for the whole series, a band called angela (the band doesn’t capitalize their name).

Misaki and Saruhiko’s episode is called “Lost Small World.” I like to think the title refers to that moment in time when the two only had each other, living in a small safe world unto itself, a world now lost to time.

Song: Lost Small World
Band: angela



Finally, the last song doesn’t have anything to do with anime, although the band, Ikimono Gakari, is known for the Naruto anime theme song “Blue Bird.”

Song: Sakura
Band: Ikimono Gakari



The Japanese seem to instinctively get what entertainment – films, TV series, novels, music – is all about. It’s to make you feel things. I’ve read the translated lyrics for "Sakura" and it’s a lost love story as you might expect from watching the two actors in the music video.

But you don’t need to know what the song is about to feel it, do you? I can’t remember when I first heard "Sakura," but songs like this are timeless.

Excuse me, but I think I'm in the mood for some You Tube videos now. ;-)

Saturday, March 20, 2021

Insane Anime Ecosystems and What the Avengers Can Learn from Them



Each anime series is a world of its own. Whether it’s a real world or fantasy world setting, the story’s characters inhabit that setting and – together with the story premise – create a unique universe never seen by anyone before.

All fictional universes do this. But anime goes a step further.

When I became an anime fan, one of my first major purchases was the soundtrack CD for Fullmetal Alchemist - the original first series, not Brotherhood. It was imported from Japan and pretty expensive.

The soundtrack was really impressive, with original music performed by a full orchestra like you’d see for a movie or TV series. I’m not sure, looking back, why that surprised me. I think in those early days when I was still discovering what anime was, it didn’t occur to me that anime productions would have that kind of major budget spent on them. I was still thinking of it as animation (read: cartoons) from my American perspective, so this was startling to me.

Once I fell down the rabbit hole of anime fandom, of course, there was no escape. ;-)

I started off by buying the usual: modest fan items from my favorite series like posters, keychains, coin purses, little notebooks, etc. Soon it progressed to wall scrolls, lunchboxes, and messenger bags, as well as, of course, the DVDs and manga books of the series themselves.




If that was all there was to anime subsidiary products and merchandise, it would be manageable. However... there is basically no end to it.

When an anime – let’s say one that is based on a successful manga series – gets greenlighted for production, countless interrelated actions are set in motion.

The production committee casts the seiyuu, a very important step in the process since top-level voice actors will bring their own fan bases with them. A composer is hired for the music, and the orchestra gets ready. The small army of dedicated animators launches into its exacting artistic work.

The wheels of promotion begin to turn, and in addition to marketing, the licensing of merchandise gets underway.




Blankets, clocks, drinkware, keychains, lunchboxes, food products, office supplies, calendars, magnets, patches, pins, buttons, pillows, plushes, tech accessories, towels, wall art, posters, tapestries, figures, model kits, dolls, statues, bags, hats, t-shirts, jewelry, wallets, video games, computer games, RPG games, board games – all begin to be produced.

As for books – aside from the manga books, there may be graphic novels, light novels, and art books.

And in addition to Blu-rays and DVDS – there are CDs for the music soundtracks.

All of this is something predictable. Anime is big business in Japan, and there’s a huge market for the side stuff that is made in conjunction with anime productions.

Where Japan diverges from the rest of the world... is in making licensed products and entertainment that expands the series universe to provide more of what fans of that series really want.

For example, drama CDs. What are drama CDs?

Drama CDs are like radio dramas and comedies featuring the original cast of the series, who act out side stories that often give you further insight into what makes this or that character tick. The stories can be serious or amusing. For fans of the series, hungry for more interaction between the characters, drama CDs help fill in the gaps that the series doesn’t fill in itself.

And while we’re on CDs – there are character songs CDs, too.

What are character songs? These are – like drama CDs – fully licensed by the anime production. They’re original songs performed by the voice actor who portrays that character in the series, tailored to that particular character.

For example, an aggressive character will have a song with aggressive lyrics that speak to who that specific character is, while a shy character will sing a shy song that represents that character. Multiply the songs by the number of main characters (and even side characters – who often get their own songs as well) in an anime series, and it’s a whole other income stream – er, way for fans to connect with their favorite characters.

Another licensed and legitimate series-related thing is – I’m not even sure what they’re called, but there are events held in concert halls that are drama CD type events where the seiyuu perform side stories and skits from their anime series before live audiences. You can find some videos of these events on You Tube if you’re curious. They’re like drama CDs but on steroids, since they are live performances before enthusiastic fans.

Somewhat related to those events are – and again, I don’t know if these have a name, but they’re videos that are like late-night television interview shows where the seiyuu are asked questions by a panel of fans. These might not be actual licensed productions, but rather fan productions that focus on the seiyuu themselves and their overall careers.


Speaking of seiyuu, some of the more popular ones will team up and do their own radio shows, like Hiroshi Kamiya and Daisuke Ono with Dear Girl Stories. And more than a few of them have successful singing careers in addition to doing voice work.

And finally to the unlicensed materials. There’s fan fiction, doujinshi, fan art... all of which gets sold at Comiket in Tokyo, attended by 100,000 fans two times a year, entirely unlicensed, at which the production companies all turn their heads and ignore what’s happening – because engaged fans are fans that will continue to support an anime series and all of its licensed subsidiary products, and they know it.

Why am I talking about all of this? Well, recently I gave in and got a Disney Plus subscription, and in the process I’ve rediscovered a massive series universe that exists in American pop culture.


If I have a favorite series universe in American popular culture, it’s Star Wars. I’ve seen a number of the Avengers-universe movies and I like them, but they’re not anything I obsess over.

Despite that assertion, I’ll say that I watched Wandavision and am starting to watch Falcon and the Winter Soldier, and I’ve realized a big truth: compared to the anime producers in Japan, Disney is a bunch of amateurs.

“But Disney is huge at merchandising...” you say, and you would be correct. But do they really understand, as Japanese anime producers do, what keeps fans engaged and coming back for more?

Let’s say Disney begins holding fan events at which the Avenger actors read side stories like in drama CDs, but with a full orchestra playing background music. The hype and the sales – not only ticket sales, but sales of new subscriptions to Disney Plus – would be enormous. And the possibilities would be endless for more fan events of the same ilk.

The actors from Wandavision could release a few character songs. Wanda’s would be “I Lost Everything When I Lost You” and Vision’s would be “Who Am I?” since he’s an android and, I would think, he suffers from a few identity issues.

The Falcon and Winter Soldier actors could have their own radio show called “Wingmen” or maybe “Best Enemies” or something similar. Falcon’s character song would be “When I’m Flying” and the Winter Soldier’s song would be “Who Am I... Really?” since he lived as a brainwashed killer for decades.

I’m joking obviously, and I know that major Hollywood movie stars would be unlikely to be interested in extracurricular fan servicing of this kind, while Japanese seiyuu build their fan bases on being accessible to the fans in ways that would never work here in the U.S.

But the idea still makes sense. The whole ecosystem that rises up when an anime series is produced is meant to draw in fans and gain their devotion. You do that by creating as much secondary material as possible to keep fans engaged and interested in the story and characters.

I think Disney is starting to catch on to the possibilities. On Disney Plus they have a series of seven-minute shorts that reintroduce some of the Avengers movie characters to the audience. The series is called Legends. I watched it and was reminded of this or that character, and it did what it was intended to do: I started thinking, hm, maybe I should see this movie again... or see that other movie in the series for the first time.

The 24/7 nature of Disney Plus also lends itself to this all-encompassing ecosystem. If you wake up at 3 a.m. realizing that you have to see the Thor movies in order to complete your knowledge of the Avengers universe, well, they’re right there on Disney Plus ready and available for you to watch at any time.

It may take a while for Disney to catch up to your average anime production committee as far as creating insane series ecosystems goes – but I know they can do it. ;-)

Wednesday, February 26, 2020

The Way of the Househusband - Manga Review



In last year’s Anime Expo report, I mentioned that The Way of the Househusband got the biggest crowd reaction at Viz Media’s panel. The huge crowd laughed the most at the idea of a big-time yakuza going straight in an unexpected way—becoming a househusband.

Since then, The Way of the Househusband’s first two manga volumes have been released. The series is a huge success both in Japan and here in the U.S. Viz, fully aware that they have a winner, is busy cranking out the volumes to meet the demand (volume 3 is due out in May).

So what makes The Way of the Househusband so funny?

The main character, Tatsu, is a reformed yakuza who still goes through life in every possible way from his perspective and experiences as a gangster.


After taking down entire opposing clans in a single night, Tatsu retires from yakuza life, marries a cute woman who works full-time as a designer, and keeps house for her.


It’s a one-note joke, but a really funny one. The main thrust of the humor is found in Tatsu’s approach to his new life, which is one of extreme intensity no matter what he’s doing: preparing an Instagram-worthy bento for Miku, going bargain bin shopping at the department store, even doing yoga with the other housewives.


His terrifying visage is a running joke that leads to misunderstandings.


The story works in emotional terms because Tatsu is a genuinely good-hearted individual. We haven’t been shown yet what he was like when he was a yakuza, but in the volumes that are out so far, every time you’re afraid Tatsu is about to backslide and do something vicious he does something remarkably kind instead. If Tatsu wasn’t lovable, the comedic moments would still be funny but kind of empty. Instead, you fall in love with Tatsu and Miku and really want to see their relationship succeed.

They haven’t shown yet how Tatsu and Miku met and courted—and I can’t wait to see it when they do.

There’s not much else to say about The Way of the Househusband except—it’s hilarious and fun, so go buy it and read it. =D One warning: you’ll finish each volume in about fifteen minutes flat. Seriously, I ran through these two volumes like candy, and like candy, it left me immediately wanting more.

Oh, and seiyuu Kenji Tsuda has directed a live-action promo featuring himself as Tatsu. It's seriously funny.



In case my embed skills have failed me... the link is here.

Tuesday, December 31, 2019

Ten Years Later


Once upon a time, there was a young American girl.

Her grandparents emigrated to the U.S. from Japan, making the girl a third-generation Japanese-American.

She grew up in a white neighborhood in Southern California, a child in the 1960s and a teenager in the 1970s. Not that long after WWII, with Pearl Harbor within living memory of most people.

She felt American inside, even if some people she met saw her face and considered her a foreigner. Her parents, who spoke both English and Japanese, only spoke English at home, perhaps to ensure that she would be seen as American as possible by other Americans.

They never taught her anything about the culture of her grandparents and ancestors.

She didn’t mind. After all, she was American.

Many years passed.

One evening, she was watching the Starz Network and saw something she’d never seen before.



It was something called anime — animation from Japan.

It blew her mind.

Not only was the story adult in tone, but it was what she knew as slash — a romance between two men. She had no idea that entertainment like this existed outside of fandom, and from a foreign country too.

Japan. A country she was connected to by blood made shows like this. She was staggered to find this out.

But that wasn’t all. The Starz Network also had other anime series.


Slowly, as if being drawn in against her will, she began to search out more anime to watch.






It was her first exposure to Japanese manga and anime art styles, and what she saw changed her whole view on art.






She particularly loved how some anime series created entire universes one could lose oneself in — the setting, characters and stories forming whole worlds in themselves.





She fell in love with so many characters... and the seiyuu who played them.


















She attended many anime conventions, discovering the love her fellow fans had for anime.



... And that sometimes, one could meet a Shonen Jump editor in real life that you’d seen in an anime.



She started a blog so she could write about her love for anime and manga.


And she began taking Japanese lessons, finally starting to learn the language of her grandparents — and discovered what her name was in Japanese (ジャン 鈴川).

Since she’d worked as an editor before, she began freelancing as a translation rewriter/editor for the U.S. companies that published manga and anime-related books.

She edited many books in the field:







Even the yaoi light novels she loved to read... she became the editor of some of those books as well.




The world she entered when she became an anime fan expanded her sense of storytelling and setting, and inspired her first published novel.


That novel set her on the road to other fictional worlds, and other series that she is still writing today.




Her love for anime and manga gave her a second career in editing, as well as the fulfillment of a lifelong dream — to be a published fiction writer.

It brought her full-circle in terms of acceptance and appreciation for her heritage as a Japanese-American.

So be open, and stay curious as to the world around you. Because one day, you may be watching television or surfing the Internet and not expecting your life to change, but — it can.


A gift that takes your life in a new direction can come to you, unexpected, sent to you by the universe with hidden hands.

Thank you for reading this blog for the past ten years.