Wednesday, November 27, 2013
News Roundup - K, Episode 619 and Food You Must Kill to Eat
Three recent news items. First, K's DVD release date has been set! I pre-ordered the box set today. It will ship out on February 25, 2014.
Second, a certain famous shonen anime series has finally come to Crunchyroll. It is...
That's right - One Piece is now streaming on Crunchyroll. But there's a problem.
As they did with Naruto Shippuuden and Bleach, Crunchyroll is starting its simulcast with the current episodes. Meaning that several weeks ago, they began with episode 619.
O_O
Who has the time to get caught up on 618 episodes of anything?? Crunchyroll doesn't have the first 618 episodes up yet, of course; if tradition holds, like with Naruto Shippuuden and Bleach they'll upload each old episode as soon as it's subbed. One Piece can actually be watched legally at Funimation/Toei's joint site onepieceofficial.com already, so there's no need to wait for Crunchyroll if one wanted to get caught up now.
But still - over 600 episodes. It's like committing to a relationship. One has to, well, think about it first. ;-)
And finally... since it's the eve of what is usually a holiday for gluttons anyway...
Crunchyroll has also added Toriko to its simulcast lineup.
Toriko is a gourmet food hunter. In a land where the most delicious, rare and exquisite food animals are sought by wealthy patrons, Toriko is the man who hunts, fights and takes the animals down.
You can consider Toriko to be the opposite of Silver Spoon. I never got hungry watching Silver Spoon, but I did get a bit peckish watching episode 1 of Toriko a while back. I would add Toriko to my watchlist without hesitation, except that the series is already up to episode 130. Has it really been running for that long?
It's an embarrassment of riches in anime land right now. Happy Thanksgiving everybody!
Sunday, November 24, 2013
Final Fall 2013 Watchlist
I’ve finally tried out all the new fall series I was interested in. Good thing too, as the fall season is more than half over. O_O
First, the continuing series. I’m still watching Naruto Shippuuden, Valvrave the Liberator S2 and Kuroko’s Basketball S2. Kuroko’s Basketball is the biggest joy of my anime-watching life right now – it’s just that good. =D
I dropped Meganebu! The series was too silly, or perhaps its brand of humor just wasn’t compatible with my own and I didn't understand it.
So, on to the ones I’m still watching, roughly in order from okay to good to the best.
I still don’t quite know what to think about Kill la Kill. The art style and character designs are jarring and unpleasant, and there aren’t any likable characters. But it is a dystopian world where the women appear to be more kick-ass than the men, which is pretty funny – so I’ll stick with it.
Galilei Donna features another dystopian – or at least oddly different – future world and an engaging action-oriented story, so it’s still on my watchlist.
A sports anime about a young pitcher from the countryside who is chosen to attend a big-city baseball training academy, Ace of the Diamond has been a nice enjoyable series so far.
All you have to say is “post-apocalyptic Tokyo” and I’m there. ;-) Coppelion’s characters are just okay and I haven’t watched many episodes yet, but the sci-fi type setting already has me hooked in.
Vampires and spirit swords and (as always) high school boys and girls who get caught up in supernatural warfare… It took me four episodes to decide whether Strike the Blood was too derivative to continue watching. It finally came down to the flirtation and romantic tension between the two leads Kojo and Yukina to tip the balance in the series’ favor. Sometimes it’s the small things that do it. :)
Finally, the two new series I’m enjoying the most.
Golden Time, about three law students and what I’m assuming will become a love triangle at some point, is a lot of fun. Banri Tada becomes Mitsuo’s friend on the first day of class. Neither young man realizes yet that Mitsuo’s childhood friend and stalker Koko Kaga has also enrolled at the school. The opening credit sequence seems to imply that Banri and Koko will pair up which seems unlikely given Koko’s total obsession with Mitsuo, but I guess that’s why it’s called a romantic comedy. Added in to the mix is that Banri lost all his memories in an accident. :-0
The set-up is different and refreshing and I have no idea what will happen next as I’m watching each episode, which is great.
Okay, no one is talking about Samurai Flamenco this season. No one seems to know it exists. So let me send some love its way and tell a little about the story and why I’m enjoying it so much.
Beat cop Hidenori Goto (Tomokazu Sugita) spends his days bored out of his mind in his police koban. One night he comes across a naked man shivering in an alley. The man is Masayoshi Hazama (Toshiki Masuda).
Hazama, a handsome but ditzy guy, works as a model because as he puts it: “I have no skills and can’t do anything else.” His agency pays for a glorious penthouse apartment, but Hazama is subject to receiving unannounced visits there from his tiger of an agent, Ishihara-san.
Since childhood, Hazama has been a huge fan of superheroes in anime and manga. He’s recently decided to become a superhero himself by dressing up in a costume and going out at night to see that justice is done. Starting small by going after teens who litter, Hazama goes for broke one night and chases after a man who takes Goto’s umbrella from the restaurant they were drinking at. Unbeknownst to Hazama and Goto, the chase is captured on video and posted online the next day—and goes viral.
Now everyone knows about the new hero, the masked man who calls himself “Samurai Flamenco.” But who is Samurai Flamenco? Everyone in Japan wants to know...
Samurai Flamenco is blessedly about adults. Both Hazama and Goto are in their 20s, Ishihara has a flirtation going with the producer of one of the variety shows she books Hazama on, and Goto is in a long-distance relationship with a woman. The relationship consists of the woman staying over once a month at Goto’s apartment and then they text each other the rest of the month. Hazama and Goto go to izakayas and drink. It’s just nice not to watch stories set in high schools all the time, you know?
And the leads, Hazama and Goto, are a lot of fun. Goto is one of Tomokazu Sugita’s straight-man foil roles. In other words, we hear his sardonic inner monologues as he bemusedly watches Hazama do dumb-but-brave things and it’s funny as hell.
I don’t know where the story is going or how it will wind up, but Samurai Flamenco has been a great ride so far. =D
Labels:
Golden Time,
Samurai Flamenco
Thursday, November 21, 2013
Seiyuu Appreciation Day - The Disappearing Acts - Ryohei Kimura, Satoshi Hino and Mamoru Miyano
Some seiyuu can disappear into roles and fool you, almost daring you to recognize them from role to role. Here are three of the best.
Ryohei Kimura (also spelled Ryouhei Kimura) has played an astonishing array of main roles in big-name anime series, disappearing chameleon-like into each role.
He has been—
Akira Takizawa in Eden of the East...
… and Kaoru Nishimi in Kids on the Slope.
Currently he is—
The genial Ryota Kise in Kuroko’s Basketball S2...
… and the cold-blooded super-soldier L-Elf in Valvrave the Liberator S2.
And last season he was—
The silkily sinister older brother of Staz Blood, Braz Blood, in the zany series Blood Lad.
As well as the farm noob Hachiken in Silver Spoon.
Kimura has also been Aki Kuga in Kamisama Dolls, Yuuki Asaba in Kimi to Boku and Shou Takakura in Mawaru Penguindrum, among other roles.
His voice is pleasant enough, if not particularly memorable, and he excels at doing humorous and slightly goofy characters. It’s his great range that impresses as his voice simply slips from one role to the next and the next, sounding different enough each time that you’re never reminded of who he’s played before.
Satoshi Hino is a special case. He’s best when he plays characters who are holding something back—a lot back.
Hino was Akito Takagi, the writer half in Bakuman.
And he currently plays Sai in Naruto Shippuuden.
He was Kamui, a diminutive and deadly enemy in Gintama.
And Yuuji, the male lead in Shakugan no Shana.
Both Sai and Kamui are characters that use faux smiles and a pleasant-sounding tone of voice at first to hide very dark secrets. Satoshi Hino uses the same voice for both characters, making it easy to recognize him in those two roles.
But interestingly, as Takagi in Bakuman he sounds like a perfectly normal guy, and it’s the same I think for Yuuji in Shakugan no Shana from what I remember of his performance in that role. As Sai and Kamui, Hino is so memorable that you’d assume he’d always be typecast as that soft-voiced but deadly young man – but the roles of Takagi and Yuuji prove he can turn that scariness off like a light switch and just be a regular shonen protagonist. He’s interesting and versatile and I always look forward to seeing him in new roles.
Finally, the seiyuu I almost never recognize despite his frequent starring roles. Mamoru Miyano has been:
Kiba in Wolf’s Rain...
Light Yagami in Death Note...
The amusing Ling in Fullmetal Alchemist: Brotherhood...
Rin (shark’s teeth and all) in Free!...
Setsuna F. Seiei in Gundam 00...
And Yogi in Karneval, among numerous other roles.
And in all the roles I just enumerated… Miyano’s voice made no particular impression on me at all. If I hadn’t read that he played them, I’d never have known it was him. For some reason I can’t discern Miyano’s voice except when he plays an eccentric role.
Fushimi in K was one of those roles. More notably, he really chewed the scenery in this role:
Rintaro Okabe, the self-proclaimed mad scientist in Steins; Gate. When Miyano plays roles like these two, he gives an extremely mannered performance and it’s easy to tell it’s him. Otherwise, I don’t recognize him, seriously. For example, I can’t recall his voice as Kiba or Light Yagami whatsoever, and as for Rin in Free! and Yogi in Karneval I only found out it was him when I idly looked on MyAnimeList at the casts for those shows when each series was about half over.
I don’t know what it says about me that I can’t recognize one of Japan’s most famous seiyuu, except that obviously everyone else can or he wouldn’t be famous.
... Or just maybe there’s an additional reason besides his excellent voice acting talents that he’s famous. Possibly his incredible male model-worthy good looks, you think... ? =D
And here’s Miyano-san cosplaying as his Steins; Gate character Rintaro Okabe.
I love it when seiyuu cosplay as their characters. ;-)
Labels:
Cosplay,
Seiyuu,
Seiyuu Appreciation Posts
Saturday, November 16, 2013
Incongruous Things - These are TOYS??
Attack on Titan toys for kids. Huh?
Here's Eren in his Titan form from a different angle:
These aren't toys - they're nightmares. Do children in Japan really play with these things?
Kid: Mom, please hand me my Shingeki no Kyojin toy.
Mom: Which one? The one with Eren punching a huge bloody hole through another Titan's head? Or the one where the Titan with the grotesque leering expression is eating somebody head first?
Kid: The one with Eren, Mom. Geez!
I am simply speechless. o.O
Labels:
Attack on Titan,
Incongruous Things
Thursday, November 14, 2013
Kuroko's Basketball - What Makes a Great Sports Anime?
Recently, I wrote about Free! and why I found it disappointing. I was expecting Free! to be a sports anime, but it turned out to be more slice-of-life than slice-of-sports.
So what is a sports anime and what makes a great one?
Here’s a rundown of your typical sports anime:
1) The protagonist, a transfer student, is extremely talented at a sport and joins the team at his new school. Protagonist is usually arrogant or a loner or both, and the team is only middling at best.
2) The team is dazzled by their new member’s talents and skills, and starts winning more games against other schools.
3) But the other schools in their league also have their superstars, and the protagonist’s team (we’ll call them the “home team”) suffers setbacks, including injuries and game losses, sometimes due to the protagonist’s “go it alone” or “I can win this on my own” attitude.
4) The home team goes through a period of reflection and retrenchment. They all train harder and rework their strategies against the other teams, not leaving their success to chance or to their big star, the protagonist. Meanwhile the protagonist not only trains harder, but also realizes he must support his team and that the team has wanted him to join in with them the whole time.
5) Now renewed in health and outlook, having trained and practiced much harder and with the protagonist having become a genuine team player, the home team returns to the circuit and starts triumphing even over the tough schools. Their Cinderella comeback story is the talk of the town. Either they win the league championship, or else they finish closer to the top than anyone expected them to, and the series ends with the promise of the home team going for it all in the next season.
The best sports anime I’ve seen in a while is Kuroko’s Basketball (Kuroko no Basket or Kuroko no Basuke). Oddly, in some ways it fits the model perfectly and in other ways it departs from it quite a bit. But in spirit it absolutely follows every tenet of what makes a great sports anime.
Taiga Kagami (Yuuki Ono) returns to Japan from America where he was living with his parents, who moved there for work. He joins Seirin High School’s basketball team and immediately impresses the team with his great athleticism and skills.
Kagami is ferociously competitive on the basketball court but socially a bit unskilled, a bull in a china shop. But he has a good heart and is a very hard worker at his game.
Tetsuya Kuroko (Kensho Ono) is a slightly-built, somewhat mysterious boy. The sixth man on the legendary Teiko Middle School basketball team, Kuroko is a genius at passing the ball to his teammates without the other side stopping him or sometimes—even seeing him.
Though unobtrusive to the point of disappearing while standing with others, Kuroko has a secret agenda: to make Seirin’s basketball team a great team that can beat the high school teams of his former Teiko teammates, the five members of the “Generation of Miracles.” More on them in a minute.
Teppei Kiyoshi (Kenji Hamada) is Seirin’s big center. Originally Kiyoshi was supposed to be Seirin’s captain, but he turned the job over to his friend Junpei Hyuuga who Kiyoshi thought had the better edgier personality for it.
Kiyoshi is the team’s true heart, more even than the fiery newcomer Taiga Kagami or Kuroko, the shadow passer who adds so much to the team’s success. He’s a gentle giant, egoless and mature beyond his years, knowing when to use humor and saying exactly the right thing at the right time when the team needs comfort or a push.
Riko Aida (Chiwa Saito) is the team’s coach. She’s the daughter of a former high school basketball coach and learned strategy at her father’s knee.
The back story is that Teiko Middle School won the league basketball championship three years in a row, due to a line-up of five phenomenal players who came to be known as the “Generation of Miracles.”
Because this is anime ;-) – the five are also conveniently color-coded by hair color/eye color/name:
Daiki Aomine (Junichi Suwabe) is Touho Academy’s power forward. An aggressive and unpredictable player, Aomine was Teiko’s top scorer. Of the four Generation of Miracles players we’ve met so far, Aomine is the most openly arrogant, skipping practice and showing up late for games. His almost-unbelievable skills lead him to conclude that “the only one who can beat me… is me.”
Shintaro Midorima (Daisuke Ono) was Teiko’s pure shooter. A three-point specialist, he can make baskets even from far across the court.
Midorima is tall and humorless and strangely relies on “lucky items,” procuring odd things like a wooden sculpture of a bear with a fish in its mouth based on horoscope predictions.
Atsushi Murasakibara (Kenichi Suzumura), Teiko’s tall purple-haired center, is an odd man-child. Always eating candy and snacks and speaking in a lazy drawling voice, Murasakibara actually dislikes playing basketball but is incredibly talented at it.
Seijuro Akashi (Hiroshi Kamiya) was the Generation of Miracles’ captain and point guard. In the anime (through episode 5 of S2 at least) we haven’t seen him yet, only flashback-type glimpses of him, but in those scenes Akashi is shown as expecting victory in his games as a “given.”
Finally, my favorite Generation of Miracles player: Ryota Kise (Ryohei Kimura).
Kise works part-time as a male model and usually has gaggles of girls following him around. Sweet-natured and with a slightly goofy sense of humor, Kise is the friendliest and most accessible of the Generation of Miracles players.
He was brought into the sport of basketball by Aomine, and at the end of season 1 Kise has to face his former mentor in competition as they are now on different high school teams.
So what makes Kuroko’s Basketball a great sports anime?
First, Kuroko’s Basketball differs from the norm in that the arrogant player isn’t the protagonist, either Kagami or Kuroko, but the five Generation of Miracles players. They are the ones who are being schooled by Kuroko, who is turning Seirin into a worthy adversary by virtue of his miraculous passes and bringing Seirin together as a team. At one point, Kuroko confesses to Kagami that Teiko wasn’t a true team but more a collection of self-interested superstars. His desire is to build Seirin up and vindicate his own team way of basketball—Kuroko’s basketball.
This means that the viewer can root for Seirin unreservedly, as the team isn’t divided into a lone superstar protagonist vs. the rest of the team.
Kuroko’s Basketball also keeps a great pace. It doesn’t bog down with flashbacks or too many characters. So far it hasn’t delved into the characters’ family backgrounds or personal lives; the focus is on the game of basketball and the competition and friendships that come from playing the game.
The story is told with such a tight focus that I’m tempted to read the manga, as with most animes based on a manga I’m sure it’s following the manga closely. Tadatoshi Fujimaki is a skilled storyteller who cuts out unnecessary fat and filler and the result is a fast-moving and incredibly entertaining anime series.
I also like the story's treatment of females. Riko, Seirin’s coach, is shown as being no-nonsense and very competent and the boys trust and respect her. And aside from some mild boob humor (Touho Academy’s team manager Satsuki Momoi has a large chest and Riko is flat-chested, leading to some back-and-forth between the two), women and girls are presented as complete equals to the men and boys in the show.
It’s telling when I find my favorite characters in a show are supporting ones. My two favorite characters in Kuroko’s Basketball aren’t Kagami and Kuroko but Teppei Kiyoshi and Ryota Kise.
Not because I don’t enjoy Kagami and Kuroko: I do, very much. But because there are so many good, interesting and appealing characters in Kuroko’s Basketball, it’s a feast. You can take your pick.
Finally, Kuroko’s Basketball is tremendously fun to watch. It’s fast-paced and the basketball sequences are well-animated – it’s easy to follow the action, you don’t need to know the rules of basketball. If you do need to know a rule, it’s explained in the course of the scene.
The characters vary in personality but all are good boys. Aomine comes the closest to being unlikable due to his arrogance, but even he is human. After fighting with Satsuki over being benched due to injuries, Satsuki runs off in tears and it’s implied that Aomine goes looking for her afterward to apologize.
In other words, you’re free to love everyone in the show. It’s one of the many things that makes Kuroko’s Basketball easy to watch and enjoy.
If you’ve never watched a sports anime and are curious, you couldn’t do any better than Kuroko’s Basketball.
Labels:
Kuroko's Basketball,
Reviews
Friday, November 8, 2013
NPR Interview and Bent-Con Panel
Two quick announcements. I did a radio interview with KPCC-FM, an NPR station in the Los Angeles area, about slash fan fiction, yaoi, and m/m romance fiction that aired on November 7.
Also, I'll be doing a panel this weekend at Bent-Con called "The History of M/M Stories: Slash to Yaoi Manga to M/M Romance."
More details available here:
NPR Interview and Bent-Con Panel Information
Labels:
Announcements,
Yaoi
Sunday, November 3, 2013
Blu-ray Release of Sekai-Ichi Hatsukoi!
A Blu-ray box set of BOTH SEASONS of Sekai-Ichi Hatsukoi is going to be released! Plus we have VIDEOS!
Here's a video promoting the Sekai-Ichi Hatsukoi movie with Yokozawa and Zen Kirishima which will be released next spring:
And here's a video promoting the Blu-ray release of both seasons of the main series, 24 episodes in all. The release date is January 31!
Now as I understand it, I can play Blu-rays from Japan with a Blu-ray player. At least, this is what I've heard. I've never ordered anime DVDs or merchandise from Japan before but this might be the first time I do. Obviously there won't be English subtitles, but I don't care. It's SEKAI-ICHI HATSUKOI!
Labels:
Sekai-ichi Hatsukoi,
Yaoi
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