Saturday, June 29, 2013
Free! - Simply Swimming with Bishonen
So... Due to a hectic schedule I've fallen behind on watching my spring season shows, and it's almost the new anime summer season already.
A fujoshi would have to be living under a rock, however, to miss the fact that Free! will be airing this summer.
A sample of comments for the above You Tube video:
Yaoi! Yaoi everywhere~!
I hope with all my heart that this anime will be not yaoi. (sorry for my bad english,i'm italian)
PLEASE DONT BE YAOI, PLEASE DONT BE YAOI , PLEASE DONT BE YAOI
It appears to not be yaoi, though certainly shonen-ai-tinged and full of bishonen. XD
I'll give the series a try of course (Crunchyroll has licensed it), but I'm actually looking forward to a different bishonen-filled series coming this fall.
Can anyone name a peculiarly Japanese fetish that has nothing to do with sex or body parts or manner of dress, yet somehow is seen as being worthy of an entire anime series aimed at females - ?
Here's the entire set-up for Meganebu - there are five young men who wear glasses.
That's it. That's enough apparently. XD
Oh wait - there's actually a full description. From ANN:
It's an anime about the adolescence and friendship of high school boys in Sabae City, an area renowned for eyeglasses.
Okay, I feel better informed now. ;-) I can't wait for October!
Labels:
Yaoi
Friday, June 28, 2013
Sekai-Ichi Hatsukoi Movie
The anime production announced for Sekai-Ichi Hatsukoi last year is going to be a movie!
According to ANN, Yokozawa's romance story will be told as an anime feature film, not an OVA as most had expected. The light novel series is on its fourth volume.
Also - Vol. 8 of the Sekai-Ichi Hatsukoi manga (the main story) will be released on August 1, when they will also announce the cast of the film. I'm certain Kenyuu Horiuchi will return as Yokozawa, and hopefully the rest of the Sekai-Ichi Hatsukoi cast will be in the movie in supporting roles. =D
Labels:
Sekai-ichi Hatsukoi,
Yaoi
Sunday, June 23, 2013
The Schizoid Universe of Zettai Karen Children
Warning - Video with adult content
I don't usually have a lot of negative things to say about anime series that I like. That makes sense, right? If I like it, then generally that means I don't have huge issues with it.
Zettai Karen Children, I'm afraid, is an exception. And here's why.
Zettai Karen Children (English title Psychic Squad) is the story of three extraordinary young girls. Set in an alternative Earth where espers, or humans with psychic powers, are discriminated against and frequently abused - or worse - Japan's "secret weapon" is a trio of esper girls: Kaoru Akashi, Aoi Nogami and Shiho Sannomiya.
Kaoru is the leader of the three. A brash tomboy, red-haired Kaoru can use extreme force energy as both an offensive weapon and defensive shield.
Dark-haired Aoi Nogami is a teleporter, meaning she can teleport herself and others, as well as inanimate objects.
Demure-looking Shiho Sannomiya is a telemetrist. She can read a person's thoughts and feelings by touching them, including their memories.
Although they are ten years old, the girls are drawn to look even younger. Together, the super-esper trio is known as "The Children" and they work for B.A.B.E.L. (BAse of Backing ESP Laboratory), Japan's organization that seeks to integrate espers and normal humans together in society.
In the first episode, twenty-year old Kouichi Minamoto begins his job as the girls' supervisor.
After a brief period of adjustment, the girls take to Minamoto. When B.A.B.E.L. Chief Kiritsubo grants the three esper girls' request to move in with bachelor Minamoto, Minamoto fights it at first and then comes to realize that he enjoys taking care of the girls. Around the apartment, he's frequently seen with a Japanese housewife's apron on as he cooks their meals or cleans house.
The chief antagonist in the story is Kyosuke Hyobu.
Hyobu was a teenage esper during World War II who shot down Allied warplanes using only his ESP abilities. A more powerful esper than even his adoptive sister Fujiko Tsubomi, Hyobu was shot and killed at the war's end, but revived himself in order to take revenge against the "normals." His constant companion, usually found sitting on his shoulder, is the flying squirrel esper Momotaro.
Fujiko Tsubomi founded B.A.B.E.L. after World War II and her brother Kyosuke Hyobu started PANDRA, an organization of rogue espers whose goals and methods are usually at odds with B.A.B.E.L.
B.A.B.E.L. employs The Children to rescue people and to fight in dangerous situations that have been predicted by high-level espers. One prediction which hasn't yet come to pass is the underlying focus of the series: that in the future an adult Kaoru will join forces with Kyosuke Hyobu to lead espers in a world war against normal humans, and that in this war - Minamoto will shoot Kaoru dead.
None of what I've described presents any moral issues or anything questionable. The problem with Zettai Karen Children isn't in who it's about, but rather - who it's made for.
Zettai Karen Children on the surface appears to be a show for kids. The heroes are three cute ten-year old girls who have superpowers and the story is told mainly from their viewpoint.
Every episode is preceded by the familiar warning for children: "While watching Zettai Karen Children, please be sure to sit far from the television and have a light on!" delivered by The Children and Minamoto.
So it's a kid's show. Right?
In several episodes, Kyosuke Hyobu messes with Minamoto's brain waves so that he sees The Children as sexy adult women in an attempt to shame him (Minamoto is rather a Boy Scout - almost too virtuous to be true) and to shake up his sense of certainty as to how he's supervising the three girls.
(It's an interesting dynamic with Kyosuke and Minamoto. Kyosuke wants to lead the esper revolt with Kaoru and also has romantic designs on her future adult self. It's implied throughout the series that Kyosuke is actually the most powerful esper on the planet. He torments Minamoto when he gets the chance, but he can't actually kill Minamoto or Kaoru would hate him - which is the one thing he's afraid of. So it's a tug-of-war of influence between the two men with Kaoru in the middle.)
Whenever Kyosuke forces Minamoto to see the girls as sexy women, which starts in episode 9, the show lurches into rocky terrain with heaving breasts, brief flashes of nudity and other wholly inappropriate visuals and dialogue. But actually, it went off the rails before then.
Back in episode 4, 15-year old esper Naomi Umegae, code name "Kitty Kat," started failing her assignments. As it turned out, Naomi's B.A.B.E.L. supervisor Ichirou Tanizaki had been grooming her since she was a child to become "the perfect wife" - his future wife. Naomi's hidden disgust at Tanizaki's constant sexual harassment and controlling of her behavior finally comes out and she turns violent toward Tanizaki.
As Zettai Karen Children is a comedy, as you might guess, Naomi's new sadistic treatment of her supervisor - just like her harassment by him - is played for yuks. Renamed "Wild Cat," whenever Tanizaki comes on to her thereafter, Naomi simply uses her ESP powers to hurl him into walls or slam him to the ground and fry him with electricity.
And here is the crux of it. Zettai Karen Children, clearly an anime that is watched by children, is laced with sexual content. Not only Minamoto's induced visions of The Children as adult women and Naomi's sexual harassment by Tanizaki, but sexual humor and nudity are found in almost every episode.
I've worked with adult content as an editor of manga and light novels - I've written adult content in my m/m yaoi romance stories, Kaminishi and Time Gone By, so I'm no prude. But I draw the line at children. My writing and my editing work all involve stories of consenting adults and I wouldn't be involved with them otherwise.
Although the ten-year old Kaoru, Aoi and Shiho aren't the targets of sexual humor or harassment in Zettai Karen Children, they are usually present when it occurs. The precocious Kaoru is obsessed with adult women's breasts, to the point where Aoi calls her "a dirty old man." And all three girls are in love with Minamoto.
If Zettai Karen Children stopped there, it would still work as an anime for children. After all, young girls are curious about what it will be like to have breasts someday and frequently get crushes on older male figures, especially those in a position of authority. There's nothing unusual about that.
But the sexual content in the series is so overwhelmingly pervasive that it's clear that Zettai Karen Children is actually intended for two separate audiences: children, mostly girls (boys probably wouldn't want to watch three magical girls as the heroes of a story), and - loli otaku.
Here's an AMV that shows this perfectly. And again - this video is NSFW.
The song is "Over the Future" by Karen Girls, Zettai Karen Children's first opening.
The video presents what looks to be a show for kids until 1:47-3:16, when it becomes something else. I could discuss which episodes the images came from and explain them somewhat, but I think the visuals speak for themselves.
So who is Zettai Karen Children meant for - kids or adults?
I don't have an answer for that, but it brings to mind a last point I want to make. As an American fan of Japanese anime, I'm always the first to defend the use of adult and serious themes in anime to people who think anime is just cartoons and therefore (to the western way of thinking) meant for children.
This time I can't do that. While I recognize, as always, that Japan is a different country with a different cultural mindset and its own legitimate views on what is appropriate and what is not for them, there's no way I can defend the mixing of adult sex content into an anime that is obviously also watched by children.
I'm currently at episode 41 and there are ten episodes left. Despite my reservations, I'll continue watching Zettai Karen Children to the end of the series. I can do that because I'm an adult who can distinguish between what is appropriate and what is not.
But a six-year old can't.
Labels:
Sexism,
Zettai Karen Children
Sunday, June 16, 2013
Four Years Later
This month marks the four-year anniversary of this blog, Neo-Shonen Fujoshi.
When I began writing this blog in June 2009, I had been an anime fan for a little over four years and had freelanced as a manga and light novel editor for about two years, beginning with Broccoli Books and Aurora Publishing, and then Digital Manga Publishing, Tokyopop and Bandai Entertainment.
So I’ve worked in the industry, but the core of my experience in anime and manga is as a fan first and always. In the past four years I’ve seen a lot of great anime series, like the following:
I tried my hand at episode blogging an entire series – Hakuouki Hekketsuroku, the second season of Hakuouki.
It was fun but kind of draining to do a weekly post on an ongoing series, so that was my first and last experience with episode blogging. :) I’m pretty sure I won’t be doing that again…
Some of the most viewed posts in the past four years have been reports on anime conventions I attended. I guess people want to read convention reports, especially if they were curious about the con and weren’t able to go. I’ve created a new label, Con Reports, so these posts are easier to find for those who want to read them.
One con report, Anime L.A. 2012 Report – Endings and Beginnings, is the most viewed post in the history of this blog. It was at that convention when I attended Bandai Entertainment’s last panel that I finally got that the anime industry didn’t just produce entertainment that I really loved, but that it also needed my support as much as possible.
To that end, I stopped watching fansubs and reading scanlations and became a more conscious consumer of anime and manga with a view toward making sure that my money returned to the Japanese creators and U.S. distributors. I started a series of posts tagged with the label Supporting the Industry, similar to those earnest You Tube videos where teens show for the camera the licensed anime and manga items they bought.
?? Was that Kuroh from K?
Oh. Apparently there’s a Kuroh “sleep app” for download! Excuse me. I got a little… distracted there. ;-)
Anyway, moving on… Another unexpectedly popular series of posts have been the watchlist posts, as in, “What I’m Watching This Spring Season 2013” or whatever season it is. I guess we’re all curious about what others are watching each anime season. I should get one ready for summer season 2013. Or did summer season start already?? This year is just flying by.
In 2011, I blogged about Borders and Tokyopop closing down. In general, I don’t have a read on the state of the anime and manga industry right now. It seems like there are at least as many anime and manga fans now as there were before. I don’t know what that means in terms of sales for the industry, but many of us are still spending money on legal streaming site subscriptions, manga, DVDs, etc.
A recent hopeful sign has been the successful return of Toonami to TV.
For me, eight years into being an anime fan, my love for this form of entertainment only grows greater with time and more exposure. I’m not jaded in the least. Whenever I watch a new anime, it’s like zen beginner’s mind all over again, even if it’s standard genre fare and/or derivative of animes that came before it. The freedom of anime, the ability to do whatever you want on the screen—devise the most amazing action scenes, create the most compelling character designs - or anything else—still enthralls me. Add to that the cultural mindset and viewpoint of the Japanese as the spoken or unspoken background to everything anime does, including deep characterization and the quintessentially Japanese take on the individual’s relationship to society—and there’s really nothing like it.
Some interests are hobbies and others are passions. I have two passions in life. One is writing. The other is anime. Eight years after discovering anime and four years after I started writing about it, that hasn’t changed.
Labels:
About This Blog,
Fandom,
Manga,
Supporting the Industry
Wednesday, June 12, 2013
Incongruous Things - Killer Fish With Legs
"DON'T COME BACK TO TOKYO!!"
GYO: Tokyo Fish Attack! will be available on DVD from Aniplex in July.
Labels:
Incongruous Things
Friday, June 7, 2013
Year of the Titan
Attack on Titan (Shingeki no Kyojin) is probably the most talked-about anime series of the spring season. As it continues on into the summer season, all of the fun and craziness that attends a huge hit is in evidence.
The iconic Titan figure has become a part of the Japanese landscape - literally:
What could be scarier than the Titan? How about the possibility that Attack on Titan manga creator Hajime Isayama based the Titan on himself? A recent Crunchyroll article speculates on this very idea.
Here are some pictures from the article so you can compare Isayama-sensei with his creation:
Every anime series in Japan gives rise to a lot of merchandise licensing. Here, like C.C. in Code Geass, the Titan discovers that Pizza Hut is a mighty tasty treat:
There's always curry:
And there are mugs, a Titan mask, clearfiles, figures and stickers...
And of course, the fans have gotten into it with their own creations:
I'll do a more substantive post on Attack on Titan at some point. The series is currently at episode 9, I've seen up to episode 8 and it's slated for 25 episodes. For now, I'll just summarize it like this:
Is Attack on Titan a perfect anime series?
-- No. It presents a fascinating world but gives very little background information on that world. The characters are underdeveloped and the main character, Eren, leaves much to be desired in the likability category.
Is it worth watching?
-- Absolutely yes. It has unforgettable gut-wrenching visuals, and even scenes that don't involve the Titans or a lot of action have a kind of unnerving visceral quality that stays with you. The intensity of the action sequences is on the level of the greatest Evangelion mecha battle scenes, and many of the personal scenes involving the human characters are just as harrowing.
The mystery surrounding the Titans and the gradual reveal as to who they are and what their relation to humans is, has been beautifully played out so far.
Is Attack on Titan already considered a classic?
-- I would say yes. When anime fans look back on 2013, they'll say, "Oh, that's the year Attack on Titan came out."
Finally - Can fans go too far with their Attack on Titan parodies?
Uh... I'll leave that for you to judge. XD
Labels:
Attack on Titan
Sunday, June 2, 2013
Supporting the Industry - What I Did in May 2013
I was happy to hear that Digital Manga has finally released vol. 8 of the light novel series. I was the editor for vols. 7 and 8 and know that fans have been waiting for the end of the story.
Also, as of May, as I mentioned in my last post, I am subscribing to two anime streaming sites. I'm now an Anime Network subscriber as well as a Crunchyroll subscriber, so at minimum $13.90 of my money will be going to support the industry each month. =D
Labels:
Ai no Kusabi,
Supporting the Industry
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