Wednesday, May 29, 2013

A Tale of Two Streaming Sites - Anime Network and Daisuki


I've been so used to Crunchyroll taking care of virtually all of my anime watching needs, that I've forgotten to look at other streaming sites until something happened recently.

That something was... The Unlimited - Hyobu Kyosuke, which was a spinoff from Zettai Karen Children, which I found was not available on Crunchyroll but was available on... the Anime Network. For subscribers only.

I looked at what the Anime Network had to offer and found a lot of overlap with Crunchyroll and Hulu. I went back and forth in my mind, then finally signed up for a subscription. (I really want to watch Zettai Karen Children, English title Psychic Squad.)

So now I will be paying for two monthly subscriptions - Crunchyroll and Anime Network, each at $6.95 per month. It's hard to compare Anime Network's anime list and Crunchyroll's anime list to see which series each site has that the other lacks, but so far I've found Anime Network carries at least several series I want to see that Crunchyroll doesn't, including Intrigue in the Bakumatsu, Kino's Journey, Mardock Scramble, Rurouni Kenshin - New Kyoto Arc, Saiyuki Gaiden and Tokyo Magnitude 8.0.

I suppose I could marathon Zettai Karen Children, watch the other series and then cancel my Anime Network subscription and run off laughing... but no. I'll keep the subscription for at least the rest of the year to support legal streaming in general. It's not that much money per month and I'm sure I'll keep discovering series I want to watch on the Anime Network that Crunchyroll doesn't carry.

Which brings us to the new kid in town - Daisuki.


This is the joint effort from the Japanese anime studios Aniplex, Sunrise, Toei Animation, TMS Entertainment Co. and NAS. Daisuki.net has finally launched with the following anime series available for viewing free of charge:

Mobile Suit Gundam Seed (HD Remastered)
Mobile Suit Zeta Gundam
Sword Art Online
Puella Magi Madoka Magica
Lupin the Third
Prince of Tennis OVA - The National Tournament

Now, I would venture to guess that most anime fans would find this a rather strange list of anime series to start off with. Okay, Sunrise is involved so there are two Gundam series, which is understandable. Sword Art Online and Madoka Magica are already available at Crunchyroll and I'm sure other sites as well. I don't know about Lupin, but I have a few things to say about the Prince of Tennis OVA - The National Tournament.

If I remember correctly, only the first season of The Prince of Tennis was ever licensed for viewing/DVD sales in North America. Back when I watched fansubs, I saw the entire series plus the OVA series on You Tube. More recently, Crunchyroll picked up the sequel series The New Prince of Tennis for legal streaming.

The Prince of Tennis ran for 178 episodes, most of the last 30-40 episodes of it being filler arcs, until it got cancelled before the big climax of the whole story could get animated - the National Tournament arc.

Takeshi Konomi finally completed the manga and the National Tournament arc was made into an OVA anime. This is the OVA anime that is now being offered for viewing on Daisuki.

The obvious question is... why make your first offering an OVA series to a 178-episode regular series, most of which never got licensed in the U.S.? Why not start off with the actual series itself? The OVA series won't make sense to anyone unless they've watched the main series.(??)

Beyond that - I guess I'm okay with the other choices. The site is just getting started after all. And the studios behind Daisuki have specifically stated that it's not their intention to take licenses away from Crunchyroll, Anime Network, Hulu, etc. All their offerings will be non-exclusive, meaning other sites won't lose their licenses to stream them as well.

I've watched the first episode of the Prince of Tennis OVA on Daisuki and it looks fine - good subtitles, good quality resolution - though I'm not the pickiest of fans when it comes to high resolution so others may differ with me on this. XD

My thinking is - let's give Daisuki a try and support what the Japanese studios are doing here. Every series on the site is free so far, so there's nothing to lose and just by viewing a few episodes we can send the message that the more free and legal streaming the better.

And a further message - a "thank you" to the Japanese studios who made these series in the first place.

Saturday, May 25, 2013

Fan Fiction Comes to Amazon's Kindle


Amazon is now accepting works of fan fiction for sale.

What?

To say this is a shock and a game-changer is an understatement. To summarize the "Kindle Worlds" publishing platform as it's currently constituted - the program is only accepting fan fiction based on three Warner Bros. TV series: Gossip Girl, Pretty Little Liars and The Vampire Diaries, but there are "more licenses on the way."

The platform hasn't launched yet. Fan fiction writers "must follow the licensors' Content Guidelines" in order to have their stories published by Kindle Worlds. Said guidelines include the rule that "no offensive depictions of graphic sexual acts" are allowed (a real, REAL loose guideline - has anyone at Amazon actually read fan fiction - ?). Royalties will paid on all sales to the fan fiction writer.

What does this have to do with anime? Nothing, so far - and it may well never even come close to enabling anime and manga fan fiction writers to publish and sell their works on Amazon. But the fact that selling fan fiction is now a reality in the publishing business is just one more sign that publishing is morphing into something that is unrecognizable from what it's been for over a hundred years.

I am staggered by this news. If you're interested in reading more, here is the link:

Kindle Worlds - Announcement

Just imagine. Naruto/Sasuke fan fiction for sale, legally and paying royalties to the writer. o.O

Thursday, May 16, 2013

Top Ten Most Memorable Anime Characters - 2013 Version

I did a post on the Top Ten Most Memorable Anime Characters back in 2009. I've seen a lot of anime since then, so I thought it was time to do a new post covering the anime I've seen since 2009.

Like the first list, this 2013 version is a list of what are the top ten most memorable characters for me, as opposed to a top ten "best" list of some kind (best shonen heroes, etc.). So it's a very eclectic list that reflects what appeals to me or intrigues me personally. The list consists of three creatures, one man masquerading as a creature, two samurai, one gender-ambiguous person, one female and two paranormal warriors.

Oddly, many on the list are from just this past year. It’s been a great twelve months for anime.




10. Kamanosuke/Brave 10

Kamanosuke is possibly the most genuinely gender-ambiguous anime character ever. By the end of the 12-episode series you’re still not quite sure which gender s/he is. S/he’s a violent gang leader who joins Saizo and Sanada’s group, and is the receiver of much speculation throughout the series that s/he’s actually female, though s/he claims to be male.

Kamanosuke’s seiyuu is Motoki Takagi, who appears to be a male. There’s been no sequel to Brave 10, so I guess Kamanosuke’s sex will just have to be left a mystery. ;-)




9. Elizabeth/Gintama

Even if you don’t watch Gintama, you’ve seen Elizabeth (on the left, above) in pictures or merchandise from the series.

Elizabeth is actually a human man under that odd duck-like outfit. In numerous episodes you can see hairy legs peeking out from under his white cover as he walks. The Renho Arc in Season Four reveals Elizabeth’s true identity in Gintama’s take on Star Wars complete with a Renho version of Darth Vader, “Dark Vader.”

Elizabeth has his dramatic moments in Gintama, most notably in the Benizakura Arc. But for me it’s just his completely strange appearance that lingers in my mind (whether I want it to or not XD).




8. Don Valentino/Cuticle Detective Inaba

Don Valentino is an unforgettable villain. A one-foot tall miniature goat, Don tries so hard to be evil, but usually just winds up failing in the funniest ways.

Toru Okawa is Don Valentino’s seiyuu. Okawa usually plays authoritative adult roles like Roy Mustang in the first Fullmetal Alchemist series or Kondo in Hakuouki, but here with Don he gets to chew the scenery left and right. He even sings the deeply dramatic ending song. XD




7. Andy Hinomiya/The Unlimited – Hyobu Kyosuke

Okay, he’s hot. But I swear that’s not the only reason why Andy Hinomiya is on my list. ;)

As I wrote in a recent post on The Unlimited, Andy reminds me of a time when Americans were portrayed as fascinating, unique heroes in popular culture. American men in particular were looked upon by world audiences as being uncomplicated, sincere and manly, from a vast country that had just won World War II that many knew little about but found enthralling.

Andy has that same post-WWII kind of innocence to him, which added to his attractiveness for me, and provided a perfect counterpoint to Kyosuke Hyobu’s cynicism in the story.





6. Kamo Serizawa/Hakuouki Reimeiroku

In Hakuouki Reimeiroku, the prequel series to Hakuouki, the conflict between the Shinsengumi’s first leader Kamo Serizawa and Kondo and Hijikata is played out.

Violent and brutal, Serizawa nonetheless lived by his own samurai code to the very end, to the point of teaching Toshizo Hijikata a thing or two about courage. You may not like Serizawa, but you can never forget him.




5. Sloth (Namakemono)/Polar Bear’s Café

And here we come to the second of our three creatures – the slooow-moving Sloth of Polar Bear’s Café.

Sloth is responsible for some of the funniest and sweetest moments of Polar Bear’s Café. His slooow manner of speech and sleepy, happy-sounding voice are just a joy to listen to. Here’s Sloth singing his part in the Shirokuma Café Song:





If you listen to the full cast singing the song, you can hear Sloth as a vague echo in the background, singing along at half-speed. XD Kudos to seiyuu Kishou Taniyama. It’s literally impossible to think of Sloth without smiling. =D




4. Polar Bear (Shirokuma)/Polar Bear’s Café

And finally for the creatures – Polar Bear from Polar Bear’s Café.

Polar Bear’s Café features animals who live among humans just like humans themselves, with jobs and families and friends, going to karaoke, the summer matsuri and the beach. At the center of Polar Bear’s Café is Polar Bear himself, the café’s genial host.

In some episodes the main focus, in others the silently supporting figure in the background, Polar Bear never fails his friends—and everybody is his friend. His dry humor, love of ridiculous puns and acceptance of animals and humans just as they are—make him not only “human” but actually better than most humans. ;)





3. Aika Fuwa/Blast of Tempest

Blast of Tempest not only had a great story and two strong lead characters in Mahiro Fuwa and Yoshino Takigawa, but two equally strong and impressive female main characters in Hakaze the Mage of Genesis and Aika Fuwa, Mahiro’s adopted sister—and Yoshino’s secret girlfriend.

At the beginning of Blast of Tempest, Aika Fuwa has been deceased for a year, murdered by a person or persons unknown. As the story involves time travel and magic I can’t say too much more about the plot without spoiling things, but Aika is featured prominently toward the end of the series.

I’m seldom captivated by female anime characters. I would like to be, but most of them are weak, stereotypically “girly” and/or uninteresting compared to the male leads. Aika Fuwa is none of those things. She’s amazing—and what’s more—she’s not only strong and fascinating but also deeply feminine and saucy and self-possessed, making world-changing decisions with a shrug and a smile and keeping Mahiro and Yoshino guessing till the very end.

By the end of the series, I wanted to see more of Aika. I would have loved to have seen Blast of Tempest told from her point of view.




2. Kyosuke Hyobu/The Unlimited – Hyobu Kyosuke

I’ve written enthusiastically about The Unlimited and its lead character Kyosuke Hyobu a lot lately, but I have a few additional thoughts.

What makes Kyosuke Hyobu so memorable for me are his relationships, particularly with Andy Hinomiya and with his “queen,” Kaoru. In Andy, Hyobu sees his own innocence as a boy, his trust in his team leader Captain Saotome that was so brutally betrayed. This is why he can forgive Andy’s betrayal and the two become true allies later on. Seeing Andy’s change of heart in a sense heals Hyobu’s old wound and leads to his more humane decisions toward the end of the story.

With Kaoru, whom Hyobu sees as his future Queen in the esper vs. human rebellion, it’s easy to say he’s a loli (when they met, Kaoru was a child – she’s now in junior high) – and maybe he is. ;-) (But not an abuser – he’s keeping his hands off her until she’s an adult.)

Hyobu is not only pinning all his hopes on the prophecy coming true—that he and Kaoru will lead the esper rebellion—but there is a real romance to his waiting long years for Kaoru to come of age, while quietly watching from afar. In traditional romance novels, one trope is where the guardian eventually marries his ward. Those stories aren’t for everybody – I don’t particularly care for them myself – but here it truly works. I can feel Hyobu’s longing for Kaoru and there’s something almost sweet about it. It’s another side of a very complex and fascinating character—Kyosuke Hyobu.

And finally… my number one most memorable anime character…




1. Gintoki Sakata/Gintama

And I’ve written a lot about Gintama as well, and its main character Gintoki. But just a few more thoughts. ;)

In some ways, Gintoki is the typical shonen hero. He’s a samurai, an incredible fighter, has a somewhat dark past and usually a ready physical response for the bad guys.

But he’s also—despite being a team with Kagura and Shinpachi—a loner, someone who assesses situations on his own before acting, again often on his own.

Gintoki is sometimes like Kagura and Shinpachi’s irresponsible big brother and at other times their teacher, always showing by example.

Paradoxically, although he’s a loner, Gintoki has gained a community of loyal friends in Edo, due not only to his forthright courage and fighting abilities but also to that “peculiar charisma” that Tae-chan mentions in the Kintoki Arc. There’s an essence to Gintoki that can’t be possessed by anyone else, even those closest to him. Perhaps it’s that he was an orphan, or that his teacher who was like a father to him died in the war that their side eventually lost. Each of Gintama’s opening credit sequences features a moment where Gintoki stares off in the distance, seeing something only he can see.

In the past four years of anime-watching, Gintoki Sakata is the one character I would never be able to forget.

Thursday, May 9, 2013

Rurouni Kenshin - Live Action Movie


The Rurouni Kenshin live action movie was the highest-grossing film in Japan in 2012.

Starring Takeru Satoh as Kenshin, the movie covers the first 30 chapters of the Rurouni Kenshin manga, with a few details combined or switched around.


In brief, the Rurouni Kenshin story is about Kenshin Himura, an assassin known as the Hitokiri Battousai who works for the Imperialist side at the end of the Bakumatsu era in Japan. After the Imperialists prevail in 1868, Kenshin disappears from public life, reappearing ten years later in Edo.

The Meiji era has brought substantial changes to Japan. Kenshin meets Kaoru Kamiya (Emi Takei), the owner of a dojo whose good name is besmirched by being falsely associated with a killer calling himself the “Battousai.”

This fake Battousai, Jin’ei (Koji Kikkawa), desires to duel the real Battousai should he meet him one day.

When Kaoru’s dojo is attacked by thugs representing a greedy businessman seeking to buy the dojo, Kenshin defeats all the attackers and is hauled off to jail for his efforts. Kaoru is waiting for him when he’s released.



Kaoru’s sole student is an orphan boy, Yahiko (Taketo Tanaka), but they’re soon joined by Megumi, a woman with a mysterious past.


Megumi (Yu Aoi) is a doctor who makes opium packets for Takeda Kanryu (Teruyuki Kagawa), a dealer in the illegal opium trade. Kanryu lives in a huge western-style mansion, dresses in western suits and proclaims the old era of samurai principles is over.


When Megumi tries to leave Kanryu, he sends assassins including Jin’ei the fake Battousai after her. Megumi winds up at Kaoru’s dojo and joins Kaoru, Kenshin and Yahiko.



The crew soon includes Sanosuke Sagara (Munetaka Aoki), a brawler whose weapon is an impossibly huge sword used to kill horses.

Megumi has a change of heart while living at the dojo and comes to regret her part in the opium trade that ruined so many lives. She returns to Kanryu’s mansion to kill him, but her attempt fails and Kenshin and Sanosuke go to the mansion to rescue her. When they reach Megumi, she tells Kenshin that Kaoru has been taken by Jin’ei.

Rurouni Kenshin is an entertaining and well-crafted film. The story is easy to follow for those with no prior knowledge of the Rurouni Kenshin story, and there’s a good balance of action, exposition and flashback scenes, particularly regarding Kenshin’s background and his pledge never to kill again.



The Meiji era setting presents the conflict between the samurai ideals as represented by Kenshin and Hajime Saito, once of the Shinsengumi and now a police officer, and the oily and rapacious Kanryu for whom money is the only ideal.



I wasn’t sure what I thought of Takeru Satoh’s performance at first, but on second viewing I found it more interesting and effective. Kenshin Himura is a difficult role to play. He was a cold-blooded assassin who believed he was working on principle, but who came to regret his choice to use his superior fighting skills in such a manner. Ten years later, his mild mien initially seems deceptive but we see that Kenshin has genuinely changed by his behavior throughout the film.

Satoh chooses to keep Kenshin’s face a blank slate much of the time, forcing the viewer to read into it what she will. It was probably the safest way to play Kenshin, and overall I think it works.

Munetaka Aoki is letter-perfect as Sanosuke, the guy who lives to fight. His battle royale with Banjin Inui (Genki Sudo) down the hallway of Kanryu’s mansion and into the kitchen, breaking everything in sight, is a holy wonder to watch. ;) The action scenes are all excellent, with choreographed moves that are exciting to watch and look realistic.

The film would fail if there was no chemistry between Satoh and Takei as Kenshin and Kaoru. Fortunately, the two match well. Takei is a combination of strength and shyness, and Satoh’s attraction to her strong yet compassionate nature is very believable.



“Everyone has something in their past they wish to hide,” Kaoru says to Kenshin. By the end of the movie, the five former strangers have become a family of sorts: Kenshin, Kaoru, Yahiko, Sanosuke and Megumi.

Rurouni Kenshin has been green-lit for a sequel film. Whether you’re a Rurouni Kenshin fan, or have never read the manga or watched the anime, this movie is a great introduction to one of Japan’s most famous stories.

Sunday, May 5, 2013

Supporting the Industry - What I Did in April 2013


It's time for my monthly post on what I did to try and support the anime and manga industries in the U.S. the previous month, complete with my trademark blurry photographs of what I bought. There's only one bad photo to put up with this time, of the Hakuouki OVA DVDs, A Memory of Snow Flowers.

There are six episodes in this OVA, each one focusing on a single member of the Shinsengumi: Souji Okita, Sanosuke Harada, Hajime Saito and Heisuke Todo, with the final episodes on Toshizo Hijikata and Chikage Kazama the demon prince.

All the episodes revolve around the events of one night. Chizuru Yukimura is sent to Shimabara disguised as a geisha in order to spy on Choshu rebels. Naturally she gets in over her head and has to be rescued (this happens in nearly every episode of both seasons of Hakuouki so why should the OVA be any different). Each episode features that night from the perspective of a different Shinsengumi member, as well as presenting other scenes that show another side of the character.

The best episodes as you might expect are the final two with Kazama and Hijikata.


Kazama runs into geisha Chizuru and recognizes her immediately, but strings her along at first.


Eventually he makes his move:


Chizuru is saved by Sen, who enters and reads Kazama the riot act. Later, Sen tells Kazama that he treats women all wrong which leads to some humorous scenes with Kazama saving Chizuru from a drunken samurai and acting chivalrous by walking her back to Shinsengumi headquarters.

In Kazama's episode, we see Kaoru again.


Kaoru, Chizuru's cross-dressing demon brother so beautifully played by seiyuu Hasumi Ito. Ito's voice is haunting once again, sliding from female to male and in general just creeping the viewer out.

Finally, Hijikata's episode shows Hijikata rescuing Chizuru from the brothel but being stopped by a guard who thinks he's trying to leave Shimabara with a geisha without paying for her. This leads to Hijikata having to think quick:


The episode also brings up one of the lighter historical facts about Hijikata. Toshizo Hijikata, the handsome and accomplished Vice-Captain of the Shinsengumi, was known for writing not very good poetry. At the end of the episode Okita steals Hijikata's haiku book, with predictable amusing consequences.

If you're already a Hakuouki fan you'll enjoy Hakuouki: A Memory of Snow Flowers; and if you're not a fan, none of the above will have made any sense to you ;-) - so your best course of action is to watch both seasons of Hakuouki as well as the prequel series and become a fan. It's got samurai, Japanese history, the Shinsengumi, vampires and some of the most gorgeous bishonen character designs ever seen in anime, so you'll find plenty to like.