Anime Hidden Gems – Three That You Probably Missed

Japan produces a lot of anime each year, and only a fraction of it gets licensed for streaming in the U.S.

It’s easy to miss some good ones despite the fact that the number of series released in America per season is fairly manageable. Throw in one’s own preferences for certain types of stories and genres and a kind of tunnel vision sets in. We don’t even notice the series that are outside our comfort zone.

Sometimes it’s just a matter of not enough time. The descriptions of this or that anime don’t appeal, so you don’t give them a chance.

It’s understandable. Also, the anime seasons come and go so quickly, don’t they? It’s summer now but soon enough it will be fall, which will morph into winter, and then it’s spring again.

So here are three anime series that you probably missed when they were first released. None of them are flashy action stories or made a huge splash when they debuted, though I think all received good reviews, especially the one I’ve placed at No. 1.

In any event, I can wholeheartedly recommend all of them. At the very least, they’re something to watch while we wait for the return of My Hero Academia and the concluding arc of Bleach to air this fall. ;-)

3. Blast of Tempest (Zetsuen no Tempest)

Put a shonen story together with a looming apocalypse, supernatural powers, and a fantastic murder mystery - and you have Blast of Tempest.

Hazake Kusaribe, a powerful female mage, gets stranded on a desert island by her traitorous lieutenant Samon. She puts a wooden doll - a magical communication device - in a bottle and sends it over the waves. The bottle reaches Mahiro Fuwa. Mahiro is a rich kid whose parents and adopted sister Aika were murdered the year before. He agrees to help Hazake escape the island in exchange for the mage’s help in solving the mystery of who killed his family.

Mahiro teams up with his best friend Yoshino Takigawa to aid Hazake in her fight against the members of the Kusaribe clan who betrayed her. Compared with Mahiro and his rough attitude, Yoshino is the good kid and nice guy of the pair. He does, however, keep one secret from Mahiro - the fact that he and Aika were dating behind Mahiro’s back.

Huge eyes appear in the sky above Japan and start turning people into metal. This event is connected to the Tree of Exodus, which Samon is working to resurrect. Hazake says that they must stop this from happening in order to save civilization.

Hakaze’s Kusaribe clan - Samon’s original clan - is supported by the Tree of Genesis, which opposes the Tree of Exodus’s awakening. As Mahiro and Yoshino get swept up in the conflict, they must decide which side is the right side for the fate of the world.

Some elements of the story hark back to Shakespeare’s Tempest, hence the name. Blast of Tempest is a quality production with beautiful, fluid animation and a memorable music score.

But what really makes Blast of Tempest stand out for me is the mystery surrounding Aika. Aika (in flashbacks) and everyone’s memories of her haunt the story from the very beginning, creating an underlying tension that increases with each episode. The question of what happened to her informs Mahiro and Yoshino’s every action, all the way to the final episode when the answer is revealed. The mystery gives Blast of Tempest that extra edge that makes it truly memorable.

And now... I need to say a few things before I talk about the next anime.

There’s a missing genre when it comes to anime released in the U.S. Think about it. We have shonen, shojo, action, fantasy, historical, isekai, and quite a few other genres.

So what’s missing? It’s a genre called josei.

Josei is stories for adult women, usually with a woman as the main character. It’s often romance, though not always. It’s not shojo for girls, or magical girl stories such as Sailor Moon or Madoka Magica. I would define it as stories for women with a woman main character who has agency and the ability to determine her own destiny.

There are so few josei anime that make it to the U.S. that it’s hard to think of one off the top of one’s head. There’s Nana, and possibly Fruits Basket would fit in this category. There’s also an older josei anime called Diamond Daydreams that I can recommend.

I’m going to guess that there’s a lot of josei manga in Japan, but that most of it never gets translated into English or made into anime. It’s basic sexism... the belief that stories about women just aren’t as exciting as stories featuring men (a belief hardly unique to Japan - Hollywood has it too).

And - too often - even josei focuses on romance stories. Nothing wrong with romance, but as the automatic default genre for ‘a woman’s story’ it gets a little tiresome.

My point is this. I would love to see more josei stories from Japan. We’re in the 21st century now and past the point where we should be required to justify why stories about women are worthwhile.

2. Hanasakeru Seishonen

Oil magnate Harry Burnsworth proposes an odd challenge for his teenage daughter Kajika. She is to choose her future husband from among three candidates. The catch is - he won't tell her who they are. Her job is to find that out for herself.

I know... romance again. But Hanasakeru Seishonen only uses this marriage game as a starting point. The story actually turns into a political thriller, at the heart of which is Kajika and the choices that she makes.

The three men Harry referred to are: Eugene, an heir to one of Burnsworth Oil's subsidiaries; Prince Rumaty, the grandson of King Machaty of the fictional oil kingdom Raginei; and Carl Rosenthal, the son of the oil magnate whom Harry Burnsworth beat out for control of Raginei's oil export market.

As Kajika becomes involved in the three men’s lives, she begins to discover secret information that links her family to the Raginei kingdom.

Kajika is a strong female lead. She makes her own decisions and doesn’t look to others to rescue her. She’s also genuinely likable and someone you can root for.

Despite its reverse harem look, Hanasakeru Seishonen has more to offer than just that. All of the important characters are interesting and given character arcs of their own, and the international political intrigue angle really spices up the story. It’s also a nicely multicultural mix of East Asian/Southeast Asian/white characters, all of whom are equals playing on the same level in a non-forced way.

I really recommend Hanasakeru Seishonen, especially if you’ve never seen a josei anime before. Maybe - like me - you’ll wonder why we don’t see more anime like this in the U.S.

1. The Eccentric Family (Uchoten Kazoku)

The Eccentric Family is a charming story about humans, tanuki, and tengu in contemporary Kyoto.

The main character is Yasaburo Shimogamo, who appears to be a teenage boy, but who is actually a tanuki.

Actually, his entire family are tanukis. Tanukis are raccoons, technically raccoon dogs, and in Japanese folklore they are considered to be tricksters and shapeshifters.

The Shimogamo family is the eccentric family of the series’ title. The mother of the family dresses in prince drag, while the eldest son Yachiro bosses Yasaburo (the third son) and little Yashiro (the fourth son) around. The second son Yajiro currently lives as a frog at the bottom of a dry well. (In other words, he’s a tanuki pretending to be human who is now pretending to be a frog.)

Yasaburo looks after Professor Akadama, a gruff elderly tengu who - like the Shimogamos - masquerades in human form. (Tengus, in Japanese legends, are supernatural birds of prey, like flying yokai.)

Benten, a beautiful human woman, is an ambiguous figure who may be a friend or a foe. Prof. Akadama taught her how to fly like a tengu when she was young. Yasaburo is wary around her as she is rumored to have had something to do with his family’s great tragedy.

The tragedy is that the father of the family was cooked in a hotpot years ago by the Friday Fellows, a social group that celebrates the year-end by eating tanuki hotpot.

The Eccentric Family is a slice-of-life fantasy show told with wry humor, and it has some genuine laugh-out-loud moments that catch you unawares. The writing has that quality I really appreciate where all the characters take responsibility for themselves and their actions and the unique makeup of each person - their personal history, character, and conscience - is given its due.

The first season is full of quirky and gentle humor, but underneath the fun you can feel that the father’s death has cast a long shadow over things.

Particularly as to Yajiro, the brother who lives in the well. We get the feeling that he’s running from something; that he feels guilt. Though he’s pleased when his brothers visit and bring him fried chicken, there must be a reason why he stays in frog form and isolates from the family.

(Yajiro is clearly stretching the limits of shapeshifting here, as he is a tanuki pretending to be human pretending to be a frog who is eating a piece of chicken.)

The mystery of who was really responsible for the father’s death is revealed at the end of the second season of The Eccentric Family, bringing closure for the family at last.

The Eccentric Family is just a delight on so many levels. It’s a comedy, a paranormal fantasy, and a tribute to accepting the weirdness in people. The Shimogamo family is strong together because of their tolerance of everybody’s quirks and strangeness. The inescapable conclusion is that eccentric families make the best families. If you watch The Eccentric Family, you may find yourself agreeing with this conclusion as well. :-)

Hanasakeru Seishonen and Miracle Train Reviews

Warning: Some mid-series spoilers for Hanasakeru Seishonen.

I used to limit the number of ongoing anime series I was watching to just a few. There are so many older anime series I need to catch up on, that I didn't think I had time to watch currently-airing series as well. But finally I concluded that if I only caught up on older series that I would never get around to seeing the new series, and the problem would grow on itself.

So recently, I've taken up watching a number of currently-airing series. Two series that I've found interesting - for different reasons - are Hanasakeru Seishonen and Miracle Train.

Hanasakeru Seishonen is a 39-episode series that began this past summer. It's currently airing at Episode 32. I've been pleasantly surprised by this series, which is a change from the usual bloodthirsty shonen stuff that I watch. ;)




The story revolves around Kajika Burnsworth, the only child of Harry Burnsworth, an oil magnate. Harry proposes an odd challenge for his teenage daughter: that she take the next year to choose her future husband from among three candidates. The catch is - he won't tell her who these three men are. Her job is to find that out for herself.

From the outset, it seems pre-destined as to who Harry really means for Kajika to pick: her childhood friend and sometimes-guardian Li-Leng, head of the powerful Chinese industrialist Huang family group. Kajika spent her childhood being raised by friendly natives on a Caribbean island that Harry owned, and Li-Leng was the teenage boy who summered on the island with her. But Li-Leng initially seems more like an older brother figure to Kajika than a romantic interest.

So as the series moves forward, we meet the three men Harry was referring to: Eugene, an heir to one of Burnsworth Oil's subsidiaries and a tragic-poet type figure; Prince Rumaty, the grandson of King Machaty of the oil kingdom Raginei; and Carl Rosenthal, the son of the oil magnate whom Harry Burnsworth beat out for control of Raginei's oil export market. All three of these men come to fall in love with Kajika; but there's more to the story than that.

In a flashback episode, we see that decades ago King Machaty had traveled to America for an international conference, and had a one-night affair with an American woman. Their child, as it turns out, is Harry Burnsworth. As a civil war erupts in Raginei over succession to the throne, the secret that complicates everything is that Kajika - as the child of Machaty's first-born son - is actually first in line to the throne of Raginei.

Kajika is a strong character and genuinely likable. I don't recognize her seiyuu, Aya Endo, from anything else, but all four of Kajika's suitors are played by well-known seiyuu: Toshiyuki Morikawa (Li-Leng), Daisuke Ono (Eugene), Daisuke Namikawa (Rumaty) and Jun Fukuyama (Carl). It's a quality production and an engaging story, and I'm looking forward to watching the last seven episodes to see how it ends.




Miracle Train looked like a lost cause to me, virtually from the first episode. The premise is that the train stations of Tokyo's Oedo line - Tocho, Shinjuku, Roppongi, Tsukishima, Ryogoku, and Shiodome - are personified as bishonen, and their mission is to help female passengers with whatever problem-of-the-week it is that they have.

The first few episodes were tough slogging. Each week's woman who got on board the Miracle Train seemed to have an even less interesting problem than the one who got on the week before, making for a parade of female insipidness that was hardly inspiring. For example: one episode featured a psychic who had gone into business with another psychic. Her partner was pushing her to market her services to as many clients as possible, while she only wanted to read for a few clients a day as she used to. Her problem was solved when Ryogoku told her that it was okay for her to be honest with her partner about her wishes. She needed a total stranger to tell her this...?

The main problem of the show is that we never get to know any of the main characters very well. We get the short version of what distinguishes each of them: Tocho is the seemingly stern (but secretly kind-hearted) leader; Shinjuku is the rakish ladies' man; Roppongi is the quiet, thoughtful one; Tsukishima is the monja-loving one; Ryogoku is the one who loves Edo period doramas; and Shiodome, as the "youngest" (aka the newest-built) station, is short and excitable and child-like in his personality.

Besides the six train station characters, there is a mysterious masked conductor; a young girl dressed in pink who acts as kind of a welcoming hostess figure; and Tokugawa, a little black and white dog.




Tokugawa makes snide asides about the human characters for the viewers' sake, and grumbles a lot about everything. As the series dragged on, I half-expected an Adorable Pet Episode, an episode in which Tokugawa was the star, since episodes centered around cute animals never fail to work. But I guess in a 13-episode series, there wasn't enough time for this.

In short, I kept watching Miracle Train like an automaton, expecting less and less of it, looking forward to the end of the series simply because it would be the end of the series.

But the last two episodes - Episodes 10 and 11 - have been unexpectedly good. Episode 10 was about an actress who was the daughter of a TV cop drama star from decades past. She wanted to do the same action stunts as her father used to, but the director kept using the stuntwoman instead for the dangerous stunts. To convince her that she needed to focus on what was really important - playing her character with heart - the eki-bishies acted out an episode of the old cop drama, complete with a chase scene through the rivers of Tokyo - with a runaway train car. It was funny and clever and quite enjoyable to watch.

And Episode 11 was even better, though in a completely different way. The story featured a rather ditzy girl, who we first see rushing to meet her boyfriend in Roppongi. The girl is easily distracted by everything: an old man who is lost and needs directions, two little schoolkids who are fighting, etc. As she explains to the eki-bishies, since she stops to help everybody, she usually winds up being late for her dates.

As the episode goes on, the eki-bishies escort her to where she is supposed to meet her boyfriend, while Roppongi (the thoughtful one, remember) becomes increasingly disturbed by the girl's behavior, while not being able to articulate why.

It is not until - literally - the last three minutes of the episode, when something truly startling occurs, that we finally understand what the entire episode was about. The twist was so unexpected and yet so perfect that I can't dismiss Miracle Train so easily anymore. The show seems to be hitting its stride - just as it's coming to an end. There are only two episodes left in the series, and you can be sure I'll be there to watch them.