Showing posts with label Kaze Hikaru. Show all posts
Showing posts with label Kaze Hikaru. Show all posts
Sunday, August 23, 2020
Mukokuseki and Concepts of Race and Beauty
Eleven years ago, I wrote about mukokuseki, the Japanese term for the “race-neutral” big-eyed look favored in anime and manga. As a relatively new anime fan, I was struck by how western-appearing the characters looked... or so I saw it then.
At that time, I read the TV Tropes essay on mukokuseki, which has since been updated and is even more interesting to read now than it was then. The most commonly accepted explanation for why manga and anime characters typically have big round eyes is attributed to Osamu Tezuka being influenced by Disney characters, and his great success more or less cementing a certain look for manga and anime characters ever after that.
Recently I thought about the issue again in the context of the Black Lives Matter movement and civil rights protests in the U.S. I support Black Lives Matter and all civil protestors, because attitudes toward race and ethnicity have not only affected me personally and professionally as an American of Japanese ancestry, but have profoundly affected the lives of millions of Americans, including white Americans. It’s impossible to divorce oneself from these issues if you are an American, no matter what your color.
To me, the obvious, logical, and gracious solution is to acknowledge that we truly are all equal in this country and our culture; that injustices happened and mistakes were made in the past; and that moving forward into the future that the entertainment media that reflects our society has to do a much better job of representing everyone who lives here.
Anime and manga – especially anime and manga translated into English – is of course a niche medium, enjoyed here in the U.S. by people who appreciate Japanese pop culture, or who at the very least are not averse to Japanese culture and Japanese people. I recall recognizing, early on, the feeling of being comfortable when attending anime conventions. I knew I was somewhere where my Japanese face was always going to be welcome and not looked at askance.
I’ve been thinking about mukokuseki in the context of representation, because it occurred to me that manga and anime could have gone another way.
Take, for example, the real-life historical figure of Toshizo Hijikata. Hijikata was the vice-captain of the Shinsengumi, the legendary samurai force tasked with guarding the last shogun in 19th-century Japan. If you’re an anime fan, you already know that there are a lot of depictions of the Shinsengumi in anime and manga, from Kaze Hikaru to Peacemaker Kurogame to Gintama, and many other story universes.
The Shinsengumi – let’s leave aside for a moment the fact that they were an uber-reactionary law enforcement division of a rigidly hierarchical government system – are usually presented in a romanticized fashion as the last samurai of a dying era.
Hijikata in particular is a heavily romanticized figure. He was a handsome man (see his Wikipedia page for proof), and was idolized during his lifetime by many.
Here’s Hijikata as depicted in the Hakuouki anime series:
And here he is in the Gintama universe:
Notice anything? They look pretty Japanese, don’t they?
Representation has value not only for the obvious reasons of inclusivity and fairness, but for other reasons too. You can argue that the idea of what makes someone beautiful or attractive is of lesser importance, but I would say it’s part of the same thing. Do you see a certain segment of society or overlook them? And – the most difficult question of all – does that segment of society itself see and accept themselves as valued, attractive, important? Because seeing people who look like you being represented in your culture is part of it, and has more of a significant impact than you might think, especially if you are younger.
I wonder what would have been the outcome if Osamu Tezuka, instead of going with the Disney-inspired round-eyed look, had decided to create character designs that more authentically represented the way most Japanese people look.
One choice made over 70 years ago influenced the self-concept of generations that came after it. It’s something to think about.
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